hamlet.txt


Project Gutenberg EBook of Hamlet, by William Shakespeare

This eBook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no
restrictions whatsoever.  You may copy it, give it away or re-use it
under the terms of the Project Gutenberg License included with this
eBook or online at www.gutenberg.org.  If you are not located in the
United States, you’ll have to check the laws of the country where you
are located before using this ebook.



Title: Hamlet

Author: William Shakespeare

Release Date: November 1998 [EBook #1524]
Last Updated: September 30, 2019

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK HAMLET ***



This etext was prepared by Dianne Bean.


THE TRAGEDY OF HAMLET, PRINCE OF DENMARK




by William Shakespeare






Contents

ACT I
Scene I. Elsinore. A platform before the Castle.
Scene II. Elsinore. A room of state in the Castle
Scene III. A room in Polonius’s house.
Scene IV. The platform.
Scene V. A more remote part of the Castle.

ACT II
Scene I. A room in Polonius’s house.
Scene II. A room in the Castle.

ACT III
Scene I. A room in the Castle.
Scene II. A hall in the Castle.
Scene III. A room in the Castle.
Scene IV. Another room in the Castle.

ACT IV
Scene I. A room in the Castle.
Scene II. Another room in the Castle.
Scene III. Another room in the Castle.
Scene IV. A plain in Denmark.
Scene V. Elsinore. A room in the Castle.
Scene VI. Another room in the Castle.
Scene VII. Another room in the Castle.

ACT V
Scene I. A churchyard.
Scene II. A hall in the Castle.


Dramatis Personæ

HAMLET, Prince of Denmark.
CLAUDIUS, King of Denmark, Hamlet’s uncle.
The GHOST of the late king, Hamlet’s father.
GERTRUDE, the Queen, Hamlet’s mother, now wife of Claudius.
POLONIUS, Lord Chamberlain.
LAERTES, Son to Polonius.
OPHELIA, Daughter to Polonius.
HORATIO, Friend to Hamlet.
FORTINBRAS, Prince of Norway.
VOLTEMAND, Courtier.
CORNELIUS, Courtier.
ROSENCRANTZ, Courtier.
GUILDENSTERN, Courtier.
MARCELLUS, Officer.
BARNARDO, Officer.
FRANCISCO, a Soldier
OSRIC, Courtier.
REYNALDO, Servant to Polonius.
Players.
A Gentleman, Courtier.
A Priest.
Two Clowns, Grave-diggers.
A Captain.
English Ambassadors.
Lords, Ladies, Officers, Soldiers, Sailors, Messengers, and Attendants.

SCENE. Elsinore.



ACT I

SCENE I. Elsinore. A platform before the Castle.

 Enter Francisco and Barnardo, two sentinels.

BARNARDO. Who’s there?

FRANCISCO. Nay, answer me. Stand and unfold yourself.

BARNARDO. Long live the King!

FRANCISCO. Barnardo?

BARNARDO. He.

FRANCISCO. You come most carefully upon your hour.

BARNARDO. ’Tis now struck twelve. Get thee to bed, Francisco.

FRANCISCO. For this relief much thanks. ’Tis bitter cold, And I am sick
at heart.

BARNARDO. Have you had quiet guard?

FRANCISCO. Not a mouse stirring.

BARNARDO. Well, good night. If you do meet Horatio and Marcellus, The
rivals of my watch, bid them make haste.

 Enter Horatio and Marcellus.

FRANCISCO. I think I hear them. Stand, ho! Who is there?

HORATIO. Friends to this ground.

MARCELLUS. And liegemen to the Dane.

FRANCISCO. Give you good night.

MARCELLUS. O, farewell, honest soldier, who hath reliev’d you?

FRANCISCO. Barnardo has my place. Give you good-night.

 [_Exit._]

MARCELLUS. Holla, Barnardo!

BARNARDO. Say, what, is Horatio there?

HORATIO. A piece of him.

BARNARDO. Welcome, Horatio. Welcome, good Marcellus.

MARCELLUS. What, has this thing appear’d again tonight?

BARNARDO. I have seen nothing.

MARCELLUS. Horatio says ’tis but our fantasy, And will not let belief
take hold of him Touching this dreaded sight, twice seen of us.
Therefore I have entreated him along With us to watch the minutes of
this night, That if again this apparition come He may approve our eyes
and speak to it.

HORATIO. Tush, tush, ’twill not appear.

BARNARDO. Sit down awhile, And let us once again assail your ears, That
are so fortified against our story, What we two nights have seen.

HORATIO. Well, sit we down, And let us hear Barnardo speak of this.

BARNARDO. Last night of all, When yond same star that’s westward from
the pole, Had made his course t’illume that part of heaven Where now it
burns, Marcellus and myself, The bell then beating one—

MARCELLUS. Peace, break thee off. Look where it comes again.

 Enter Ghost.

BARNARDO. In the same figure, like the King that’s dead.

MARCELLUS. Thou art a scholar; speak to it, Horatio.

BARNARDO. Looks it not like the King? Mark it, Horatio.

HORATIO. Most like. It harrows me with fear and wonder.

BARNARDO It would be spoke to.

MARCELLUS. Question it, Horatio.

HORATIO. What art thou that usurp’st this time of night, Together with
that fair and warlike form In which the majesty of buried Denmark Did
sometimes march? By heaven I charge thee speak.

MARCELLUS. It is offended.

BARNARDO. See, it stalks away.

HORATIO. Stay! speak, speak! I charge thee speak!

 [_Exit Ghost._]

MARCELLUS. ’Tis gone, and will not answer.

BARNARDO. How now, Horatio! You tremble and look pale. Is not this
something more than fantasy? What think you on’t?

HORATIO. Before my God, I might not this believe Without the sensible
and true avouch Of mine own eyes.

MARCELLUS. Is it not like the King?

HORATIO. As thou art to thyself: Such was the very armour he had on
When he th’ambitious Norway combated; So frown’d he once, when in an
angry parle He smote the sledded Polacks on the ice. ’Tis strange.

MARCELLUS. Thus twice before, and jump at this dead hour, With martial
stalk hath he gone by our watch.

HORATIO. In what particular thought to work I know not; But in the
gross and scope of my opinion, This bodes some strange eruption to our
state.

MARCELLUS. Good now, sit down, and tell me, he that knows, Why this
same strict and most observant watch So nightly toils the subject of
the land, And why such daily cast of brazen cannon And foreign mart for
implements of war; Why such impress of shipwrights, whose sore task
Does not divide the Sunday from the week. What might be toward, that
this sweaty haste Doth make the night joint-labourer with the day: Who
is’t that can inform me?

HORATIO. That can I; At least, the whisper goes so. Our last King,
Whose image even but now appear’d to us, Was, as you know, by
Fortinbras of Norway, Thereto prick’d on by a most emulate pride, Dar’d
to the combat; in which our valiant Hamlet, For so this side of our
known world esteem’d him, Did slay this Fortinbras; who by a seal’d
compact, Well ratified by law and heraldry, Did forfeit, with his life,
all those his lands Which he stood seiz’d of, to the conqueror; Against
the which, a moiety competent Was gaged by our King; which had return’d
To the inheritance of Fortinbras, Had he been vanquisher; as by the
same cov’nant And carriage of the article design’d, His fell to Hamlet.
Now, sir, young Fortinbras, Of unimproved mettle, hot and full, Hath in
the skirts of Norway, here and there, Shark’d up a list of lawless
resolutes, For food and diet, to some enterprise That hath a stomach
in’t; which is no other, As it doth well appear unto our state, But to
recover of us by strong hand And terms compulsatory, those foresaid
lands So by his father lost. And this, I take it, Is the main motive of
our preparations, The source of this our watch, and the chief head Of
this post-haste and rummage in the land.

BARNARDO. I think it be no other but e’en so: Well may it sort that
this portentous figure Comes armed through our watch so like the King
That was and is the question of these wars.

HORATIO. A mote it is to trouble the mind’s eye. In the most high and
palmy state of Rome, A little ere the mightiest Julius fell, The graves
stood tenantless and the sheeted dead Did squeak and gibber in the
Roman streets; As stars with trains of fire and dews of blood,
Disasters in the sun; and the moist star, Upon whose influence
Neptune’s empire stands, Was sick almost to doomsday with eclipse. And
even the like precurse of fierce events, As harbingers preceding still
the fates And prologue to the omen coming on, Have heaven and earth
together demonstrated Unto our climatures and countrymen.

 Re-enter Ghost.

But, soft, behold! Lo, where it comes again! I’ll cross it, though it
blast me. Stay, illusion! If thou hast any sound, or use of voice,
Speak to me. If there be any good thing to be done, That may to thee do
ease, and grace to me, Speak to me. If thou art privy to thy country’s
fate, Which, happily, foreknowing may avoid, O speak! Or if thou hast
uphoarded in thy life Extorted treasure in the womb of earth, For
which, they say, you spirits oft walk in death, Speak of it. Stay, and
speak!

 [_The cock crows._]

Stop it, Marcellus!

MARCELLUS. Shall I strike at it with my partisan?

HORATIO. Do, if it will not stand.

BARNARDO. ’Tis here!

HORATIO. ’Tis here!

 [_Exit Ghost._]

MARCELLUS. ’Tis gone! We do it wrong, being so majestical, To offer it
the show of violence, For it is as the air, invulnerable, And our vain
blows malicious mockery.

BARNARDO. It was about to speak, when the cock crew.

HORATIO. And then it started, like a guilty thing Upon a fearful
summons. I have heard The cock, that is the trumpet to the morn, Doth
with his lofty and shrill-sounding throat Awake the god of day; and at
his warning, Whether in sea or fire, in earth or air, Th’extravagant
and erring spirit hies To his confine. And of the truth herein This
present object made probation.

MARCELLUS. It faded on the crowing of the cock. Some say that ever
’gainst that season comes Wherein our Saviour’s birth is celebrated,
The bird of dawning singeth all night long; And then, they say, no
spirit dare stir abroad, The nights are wholesome, then no planets
strike, No fairy takes, nor witch hath power to charm; So hallow’d and
so gracious is the time.

HORATIO. So have I heard, and do in part believe it. But look, the morn
in russet mantle clad, Walks o’er the dew of yon high eastward hill.
Break we our watch up, and by my advice, Let us impart what we have
seen tonight Unto young Hamlet; for upon my life, This spirit, dumb to
us, will speak to him. Do you consent we shall acquaint him with it, As
needful in our loves, fitting our duty?

MARCELLUS. Let’s do’t, I pray, and I this morning know Where we shall
find him most conveniently.

 [_Exeunt._]

SCENE II. Elsinore. A room of state in the Castle.

 Enter Claudius King of Denmark, Gertrude the Queen, Hamlet, Polonius,
 Laertes, Voltemand, Cornelius, Lords and Attendant.

KING. Though yet of Hamlet our dear brother’s death The memory be
green, and that it us befitted To bear our hearts in grief, and our
whole kingdom To be contracted in one brow of woe; Yet so far hath
discretion fought with nature That we with wisest sorrow think on him,
Together with remembrance of ourselves. Therefore our sometime sister,
now our queen, Th’imperial jointress to this warlike state, Have we, as
’twere with a defeated joy, With one auspicious and one dropping eye,
With mirth in funeral, and with dirge in marriage, In equal scale
weighing delight and dole, Taken to wife; nor have we herein barr’d
Your better wisdoms, which have freely gone With this affair along. For
all, our thanks. Now follows, that you know young Fortinbras, Holding a
weak supposal of our worth, Or thinking by our late dear brother’s
death Our state to be disjoint and out of frame, Colleagued with this
dream of his advantage, He hath not fail’d to pester us with message,
Importing the surrender of those lands Lost by his father, with all
bonds of law, To our most valiant brother. So much for him. Now for
ourself and for this time of meeting: Thus much the business is: we
have here writ To Norway, uncle of young Fortinbras, Who, impotent and
bed-rid, scarcely hears Of this his nephew’s purpose, to suppress His
further gait herein; in that the levies, The lists, and full
proportions are all made Out of his subject: and we here dispatch You,
good Cornelius, and you, Voltemand, For bearers of this greeting to old
Norway, Giving to you no further personal power To business with the
King, more than the scope Of these dilated articles allow. Farewell;
and let your haste commend your duty.

CORNELIUS and VOLTEMAND. In that, and all things, will we show our
duty.

KING. We doubt it nothing: heartily farewell.

 [_Exeunt Voltemand and Cornelius._]

And now, Laertes, what’s the news with you? You told us of some suit.
What is’t, Laertes? You cannot speak of reason to the Dane, And lose
your voice. What wouldst thou beg, Laertes, That shall not be my offer,
not thy asking? The head is not more native to the heart, The hand more
instrumental to the mouth, Than is the throne of Denmark to thy father.
What wouldst thou have, Laertes?

LAERTES. Dread my lord, Your leave and favour to return to France, From
whence though willingly I came to Denmark To show my duty in your
coronation; Yet now I must confess, that duty done, My thoughts and
wishes bend again toward France, And bow them to your gracious leave
and pardon.

KING. Have you your father’s leave? What says Polonius?

POLONIUS. He hath, my lord, wrung from me my slow leave By laboursome
petition; and at last Upon his will I seal’d my hard consent. I do
beseech you give him leave to go.

KING. Take thy fair hour, Laertes; time be thine, And thy best graces
spend it at thy will! But now, my cousin Hamlet, and my son—

HAMLET. [_Aside._] A little more than kin, and less than kind.

KING. How is it that the clouds still hang on you?

HAMLET. Not so, my lord, I am too much i’ the sun.

QUEEN. Good Hamlet, cast thy nighted colour off, And let thine eye look
like a friend on Denmark. Do not for ever with thy vailed lids Seek for
thy noble father in the dust. Thou know’st ’tis common, all that lives
must die, Passing through nature to eternity.

HAMLET. Ay, madam, it is common.

QUEEN. If it be, Why seems it so particular with thee?

HAMLET. Seems, madam! Nay, it is; I know not seems. ’Tis not alone my
inky cloak, good mother, Nor customary suits of solemn black, Nor windy
suspiration of forc’d breath, No, nor the fruitful river in the eye,
Nor the dejected haviour of the visage, Together with all forms, moods,
shows of grief, That can denote me truly. These indeed seem, For they
are actions that a man might play; But I have that within which passeth
show; These but the trappings and the suits of woe.

KING. ’Tis sweet and commendable in your nature, Hamlet, To give these
mourning duties to your father; But you must know, your father lost a
father, That father lost, lost his, and the survivor bound In filial
obligation, for some term To do obsequious sorrow. But to persevere In
obstinate condolement is a course Of impious stubbornness. ’Tis unmanly
grief, It shows a will most incorrect to heaven, A heart unfortified, a
mind impatient, An understanding simple and unschool’d; For what we
know must be, and is as common As any the most vulgar thing to sense,
Why should we in our peevish opposition Take it to heart? Fie, ’tis a
fault to heaven, A fault against the dead, a fault to nature, To reason
most absurd, whose common theme Is death of fathers, and who still hath
cried, From the first corse till he that died today, ‘This must be so.’
We pray you throw to earth This unprevailing woe, and think of us As of
a father; for let the world take note You are the most immediate to our
throne, And with no less nobility of love Than that which dearest
father bears his son Do I impart toward you. For your intent In going
back to school in Wittenberg, It is most retrograde to our desire: And
we beseech you bend you to remain Here in the cheer and comfort of our
eye, Our chiefest courtier, cousin, and our son.

QUEEN. Let not thy mother lose her prayers, Hamlet. I pray thee stay
with us; go not to Wittenberg.

HAMLET. I shall in all my best obey you, madam.

KING. Why, ’tis a loving and a fair reply. Be as ourself in Denmark.
Madam, come; This gentle and unforc’d accord of Hamlet Sits smiling to
my heart; in grace whereof, No jocund health that Denmark drinks today
But the great cannon to the clouds shall tell, And the King’s rouse the
heaven shall bruit again, Re-speaking earthly thunder. Come away.

 [_Exeunt all but Hamlet._]

HAMLET. O that this too too solid flesh would melt, Thaw, and resolve
itself into a dew! Or that the Everlasting had not fix’d His canon
’gainst self-slaughter. O God! O God! How weary, stale, flat, and
unprofitable Seem to me all the uses of this world! Fie on’t! Oh fie!
’tis an unweeded garden That grows to seed; things rank and gross in
nature Possess it merely. That it should come to this! But two months
dead—nay, not so much, not two: So excellent a king; that was to this
Hyperion to a satyr; so loving to my mother, That he might not beteem
the winds of heaven Visit her face too roughly. Heaven and earth! Must
I remember? Why, she would hang on him As if increase of appetite had
grown By what it fed on; and yet, within a month— Let me not think
on’t—Frailty, thy name is woman! A little month, or ere those shoes
were old With which she followed my poor father’s body Like Niobe, all
tears.—Why she, even she— O God! A beast that wants discourse of reason
Would have mourn’d longer,—married with mine uncle, My father’s
brother; but no more like my father Than I to Hercules. Within a month?
Ere yet the salt of most unrighteous tears Had left the flushing in her
galled eyes, She married. O most wicked speed, to post With such
dexterity to incestuous sheets! It is not, nor it cannot come to good.
But break my heart, for I must hold my tongue.

 Enter Horatio, Marcellus and Barnardo.

HORATIO. Hail to your lordship!

HAMLET. I am glad to see you well: Horatio, or I do forget myself.

HORATIO. The same, my lord, And your poor servant ever.

HAMLET. Sir, my good friend; I’ll change that name with you: And what
make you from Wittenberg, Horatio?— Marcellus?

MARCELLUS. My good lord.

HAMLET. I am very glad to see you.—Good even, sir.— But what, in faith,
make you from Wittenberg?

HORATIO. A truant disposition, good my lord.

HAMLET. I would not hear your enemy say so; Nor shall you do my ear
that violence, To make it truster of your own report Against yourself.
I know you are no truant. But what is your affair in Elsinore? We’ll
teach you to drink deep ere you depart.

HORATIO. My lord, I came to see your father’s funeral.

HAMLET. I prithee do not mock me, fellow-student. I think it was to see
my mother’s wedding.

HORATIO. Indeed, my lord, it follow’d hard upon.

HAMLET. Thrift, thrift, Horatio! The funeral bak’d meats Did coldly
furnish forth the marriage tables. Would I had met my dearest foe in
heaven Or ever I had seen that day, Horatio. My father,—methinks I see
my father.

HORATIO. Where, my lord?

HAMLET. In my mind’s eye, Horatio.

HORATIO. I saw him once; he was a goodly king.

HAMLET. He was a man, take him for all in all, I shall not look upon
his like again.

HORATIO. My lord, I think I saw him yesternight.

HAMLET. Saw? Who?

HORATIO. My lord, the King your father.

HAMLET. The King my father!

HORATIO. Season your admiration for a while With an attent ear, till I
may deliver Upon the witness of these gentlemen This marvel to you.

HAMLET. For God’s love let me hear.

HORATIO. Two nights together had these gentlemen, Marcellus and
Barnardo, on their watch In the dead waste and middle of the night,
Been thus encounter’d. A figure like your father, Armed at point
exactly, cap-à-pie, Appears before them, and with solemn march Goes
slow and stately by them: thrice he walk’d By their oppress’d and
fear-surprised eyes, Within his truncheon’s length; whilst they,
distill’d Almost to jelly with the act of fear, Stand dumb, and speak
not to him. This to me In dreadful secrecy impart they did, And I with
them the third night kept the watch, Where, as they had deliver’d, both
in time, Form of the thing, each word made true and good, The
apparition comes. I knew your father; These hands are not more like.

HAMLET. But where was this?

MARCELLUS. My lord, upon the platform where we watch.

HAMLET. Did you not speak to it?

HORATIO. My lord, I did; But answer made it none: yet once methought It
lifted up it head, and did address Itself to motion, like as it would
speak. But even then the morning cock crew loud, And at the sound it
shrunk in haste away, And vanish’d from our sight.

HAMLET. ’Tis very strange.

HORATIO. As I do live, my honour’d lord, ’tis true; And we did think it
writ down in our duty To let you know of it.

HAMLET. Indeed, indeed, sirs, but this troubles me. Hold you the watch
tonight?

Mar. and BARNARDO. We do, my lord.

HAMLET. Arm’d, say you?

Both. Arm’d, my lord.

HAMLET. From top to toe?

BOTH. My lord, from head to foot.

HAMLET. Then saw you not his face?

HORATIO. O yes, my lord, he wore his beaver up.

HAMLET. What, look’d he frowningly?

HORATIO. A countenance more in sorrow than in anger.

HAMLET. Pale, or red?

HORATIO. Nay, very pale.

HAMLET. And fix’d his eyes upon you?

HORATIO. Most constantly.

HAMLET. I would I had been there.

HORATIO. It would have much amaz’d you.

HAMLET. Very like, very like. Stay’d it long?

HORATIO. While one with moderate haste might tell a hundred.

MARCELLUS and BARNARDO. Longer, longer.

HORATIO. Not when I saw’t.

HAMLET. His beard was grizzled, no?

HORATIO. It was, as I have seen it in his life, A sable silver’d.

HAMLET. I will watch tonight; Perchance ’twill walk again.

HORATIO. I warrant you it will.

HAMLET. If it assume my noble father’s person, I’ll speak to it, though
hell itself should gape And bid me hold my peace. I pray you all, If
you have hitherto conceal’d this sight, Let it be tenable in your
silence still; And whatsoever else shall hap tonight, Give it an
understanding, but no tongue. I will requite your loves. So, fare ye
well. Upon the platform ’twixt eleven and twelve, I’ll visit you.

ALL. Our duty to your honour.

HAMLET. Your loves, as mine to you: farewell.

 [_Exeunt Horatio, Marcellus and Barnardo._]

My father’s spirit in arms! All is not well; I doubt some foul play:
would the night were come! Till then sit still, my soul: foul deeds
will rise, Though all the earth o’erwhelm them, to men’s eyes.

 [_Exit._]

SCENE III. A room in Polonius’s house.

 Enter Laertes and Ophelia.

LAERTES. My necessaries are embark’d. Farewell. And, sister, as the
winds give benefit And convoy is assistant, do not sleep, But let me
hear from you.

OPHELIA. Do you doubt that?

LAERTES. For Hamlet, and the trifling of his favour, Hold it a fashion
and a toy in blood; A violet in the youth of primy nature, Forward, not
permanent, sweet, not lasting; The perfume and suppliance of a minute;
No more.

OPHELIA. No more but so?

LAERTES. Think it no more. For nature crescent does not grow alone In
thews and bulk; but as this temple waxes, The inward service of the
mind and soul Grows wide withal. Perhaps he loves you now, And now no
soil nor cautel doth besmirch The virtue of his will; but you must
fear, His greatness weigh’d, his will is not his own; For he himself is
subject to his birth: He may not, as unvalu’d persons do, Carve for
himself; for on his choice depends The sanctity and health of this
whole state; And therefore must his choice be circumscrib’d Unto the
voice and yielding of that body Whereof he is the head. Then if he says
he loves you, It fits your wisdom so far to believe it As he in his
particular act and place May give his saying deed; which is no further
Than the main voice of Denmark goes withal. Then weigh what loss your
honour may sustain If with too credent ear you list his songs, Or lose
your heart, or your chaste treasure open To his unmaster’d importunity.
Fear it, Ophelia, fear it, my dear sister; And keep you in the rear of
your affection, Out of the shot and danger of desire. The chariest maid
is prodigal enough If she unmask her beauty to the moon. Virtue itself
scopes not calumnious strokes: The canker galls the infants of the
spring Too oft before their buttons be disclos’d, And in the morn and
liquid dew of youth Contagious blastments are most imminent. Be wary
then, best safety lies in fear. Youth to itself rebels, though none
else near.

OPHELIA. I shall th’effect of this good lesson keep As watchman to my
heart. But good my brother, Do not as some ungracious pastors do, Show
me the steep and thorny way to heaven; Whilst like a puff’d and
reckless libertine Himself the primrose path of dalliance treads, And
recks not his own rede.

LAERTES. O, fear me not. I stay too long. But here my father comes.

 Enter Polonius.

A double blessing is a double grace; Occasion smiles upon a second
leave.

POLONIUS. Yet here, Laertes? Aboard, aboard, for shame. The wind sits
in the shoulder of your sail, And you are stay’d for. There, my
blessing with you.

 [_Laying his hand on Laertes’s head._]

And these few precepts in thy memory Look thou character. Give thy
thoughts no tongue, Nor any unproportion’d thought his act. Be thou
familiar, but by no means vulgar. Those friends thou hast, and their
adoption tried, Grapple them unto thy soul with hoops of steel; But do
not dull thy palm with entertainment Of each new-hatch’d, unfledg’d
comrade. Beware Of entrance to a quarrel; but being in, Bear’t that
th’opposed may beware of thee. Give every man thine ear, but few thy
voice: Take each man’s censure, but reserve thy judgment. Costly thy
habit as thy purse can buy, But not express’d in fancy; rich, not
gaudy: For the apparel oft proclaims the man; And they in France of the
best rank and station Are of a most select and generous chief in that.
Neither a borrower nor a lender be: For loan oft loses both itself and
friend; And borrowing dulls the edge of husbandry. This above all: to
thine own self be true; And it must follow, as the night the day, Thou
canst not then be false to any man. Farewell: my blessing season this
in thee.

LAERTES. Most humbly do I take my leave, my lord.

POLONIUS. The time invites you; go, your servants tend.

LAERTES. Farewell, Ophelia, and remember well What I have said to you.

OPHELIA. ’Tis in my memory lock’d, And you yourself shall keep the key
of it.

LAERTES. Farewell.

 [_Exit._]

POLONIUS. What is’t, Ophelia, he hath said to you?

OPHELIA. So please you, something touching the Lord Hamlet.

POLONIUS. Marry, well bethought: ’Tis told me he hath very oft of late
Given private time to you; and you yourself Have of your audience been
most free and bounteous. If it be so,—as so ’tis put on me, And that in
way of caution,—I must tell you You do not understand yourself so
clearly As it behoves my daughter and your honour. What is between you?
Give me up the truth.

OPHELIA. He hath, my lord, of late made many tenders Of his affection
to me.

POLONIUS. Affection! Pooh! You speak like a green girl, Unsifted in
such perilous circumstance. Do you believe his tenders, as you call
them?

OPHELIA. I do not know, my lord, what I should think.

POLONIUS. Marry, I’ll teach you; think yourself a baby; That you have
ta’en these tenders for true pay, Which are not sterling. Tender
yourself more dearly; Or,—not to crack the wind of the poor phrase,
Roaming it thus,—you’ll tender me a fool.

OPHELIA. My lord, he hath importun’d me with love In honourable
fashion.

POLONIUS. Ay, fashion you may call it; go to, go to.

OPHELIA. And hath given countenance to his speech, my lord, With almost
all the holy vows of heaven.

POLONIUS. Ay, springes to catch woodcocks. I do know, When the blood
burns, how prodigal the soul Lends the tongue vows: these blazes,
daughter, Giving more light than heat, extinct in both, Even in their
promise, as it is a-making, You must not take for fire. From this time
Be something scanter of your maiden presence; Set your entreatments at
a higher rate Than a command to parley. For Lord Hamlet, Believe so
much in him that he is young; And with a larger tether may he walk Than
may be given you. In few, Ophelia, Do not believe his vows; for they
are brokers, Not of that dye which their investments show, But mere
implorators of unholy suits, Breathing like sanctified and pious bawds,
The better to beguile. This is for all. I would not, in plain terms,
from this time forth Have you so slander any moment leisure As to give
words or talk with the Lord Hamlet. Look to’t, I charge you; come your
ways.

OPHELIA. I shall obey, my lord.

 [_Exeunt._]

SCENE IV. The platform.

 Enter Hamlet, Horatio and Marcellus.

HAMLET. The air bites shrewdly; it is very cold.

HORATIO. It is a nipping and an eager air.

HAMLET. What hour now?

HORATIO. I think it lacks of twelve.

MARCELLUS. No, it is struck.

HORATIO. Indeed? I heard it not. It then draws near the season Wherein
the spirit held his wont to walk.

 [_A flourish of trumpets, and ordnance shot off within._]

What does this mean, my lord?

HAMLET. The King doth wake tonight and takes his rouse, Keeps wassail,
and the swaggering upspring reels; And as he drains his draughts of
Rhenish down, The kettle-drum and trumpet thus bray out The triumph of
his pledge.

HORATIO. Is it a custom?

HAMLET. Ay marry is’t; And to my mind, though I am native here, And to
the manner born, it is a custom More honour’d in the breach than the
observance. This heavy-headed revel east and west Makes us traduc’d and
tax’d of other nations: They clepe us drunkards, and with swinish
phrase Soil our addition; and indeed it takes From our achievements,
though perform’d at height, The pith and marrow of our attribute. So
oft it chances in particular men That for some vicious mole of nature
in them, As in their birth, wherein they are not guilty, Since nature
cannot choose his origin, By their o’ergrowth of some complexion, Oft
breaking down the pales and forts of reason; Or by some habit, that too
much o’erleavens The form of plausive manners;—that these men,
Carrying, I say, the stamp of one defect, Being Nature’s livery or
Fortune’s star,— His virtues else,—be they as pure as grace, As
infinite as man may undergo, Shall in the general censure take
corruption From that particular fault. The dram of evil Doth all the
noble substance often doubt To his own scandal.

HORATIO. Look, my lord, it comes!

 Enter Ghost.

HAMLET. Angels and ministers of grace defend us! Be thou a spirit of
health or goblin damn’d, Bring with thee airs from heaven or blasts
from hell, Be thy intents wicked or charitable, Thou com’st in such a
questionable shape That I will speak to thee. I’ll call thee Hamlet,
King, father, royal Dane. O, answer me! Let me not burst in ignorance;
but tell Why thy canoniz’d bones, hearsed in death, Have burst their
cerements; why the sepulchre, Wherein we saw thee quietly inurn’d, Hath
op’d his ponderous and marble jaws To cast thee up again! What may this
mean, That thou, dead corse, again in complete steel, Revisit’st thus
the glimpses of the moon, Making night hideous, and we fools of nature
So horridly to shake our disposition With thoughts beyond the reaches
of our souls? Say, why is this? Wherefore? What should we do?

 [_Ghost beckons Hamlet._]

HORATIO. It beckons you to go away with it, As if it some impartment
did desire To you alone.

MARCELLUS. Look with what courteous action It waves you to a more
removed ground. But do not go with it.

HORATIO. No, by no means.

HAMLET. It will not speak; then will I follow it.

HORATIO. Do not, my lord.

HAMLET. Why, what should be the fear? I do not set my life at a pin’s
fee; And for my soul, what can it do to that, Being a thing immortal as
itself? It waves me forth again. I’ll follow it.

HORATIO. What if it tempt you toward the flood, my lord, Or to the
dreadful summit of the cliff That beetles o’er his base into the sea,
And there assume some other horrible form Which might deprive your
sovereignty of reason, And draw you into madness? Think of it. The very
place puts toys of desperation, Without more motive, into every brain
That looks so many fadoms to the sea And hears it roar beneath.

HAMLET. It waves me still. Go on, I’ll follow thee.

MARCELLUS. You shall not go, my lord.

HAMLET. Hold off your hands.

HORATIO. Be rul’d; you shall not go.

HAMLET. My fate cries out, And makes each petty artery in this body As
hardy as the Nemean lion’s nerve.

 [_Ghost beckons._]

Still am I call’d. Unhand me, gentlemen.

 [_Breaking free from them._]

By heaven, I’ll make a ghost of him that lets me. I say, away!—Go on,
I’ll follow thee.

 [_Exeunt Ghost and Hamlet._]

HORATIO. He waxes desperate with imagination.

MARCELLUS. Let’s follow; ’tis not fit thus to obey him.

HORATIO. Have after. To what issue will this come?

MARCELLUS. Something is rotten in the state of Denmark.

HORATIO. Heaven will direct it.

MARCELLUS. Nay, let’s follow him.

 [_Exeunt._]

SCENE V. A more remote part of the Castle.

 Enter Ghost and Hamlet.

HAMLET. Whither wilt thou lead me? Speak, I’ll go no further.

GHOST. Mark me.

HAMLET. I will.

GHOST. My hour is almost come, When I to sulph’rous and tormenting
flames Must render up myself.

HAMLET. Alas, poor ghost!

GHOST. Pity me not, but lend thy serious hearing To what I shall
unfold.

HAMLET. Speak, I am bound to hear.

GHOST. So art thou to revenge, when thou shalt hear.

HAMLET. What?

GHOST. I am thy father’s spirit, Doom’d for a certain term to walk the
night, And for the day confin’d to fast in fires, Till the foul crimes
done in my days of nature Are burnt and purg’d away. But that I am
forbid To tell the secrets of my prison-house, I could a tale unfold
whose lightest word Would harrow up thy soul; freeze thy young blood,
Make thy two eyes like stars start from their spheres, Thy knotted and
combined locks to part, And each particular hair to stand on end Like
quills upon the fretful porcupine. But this eternal blazon must not be
To ears of flesh and blood. List, list, O, list! If thou didst ever thy
dear father love—

HAMLET. O God!

GHOST. Revenge his foul and most unnatural murder.

HAMLET. Murder!

GHOST. Murder most foul, as in the best it is; But this most foul,
strange, and unnatural.

HAMLET. Haste me to know’t, that I, with wings as swift As meditation
or the thoughts of love May sweep to my revenge.

GHOST. I find thee apt; And duller shouldst thou be than the fat weed
That rots itself in ease on Lethe wharf, Wouldst thou not stir in this.
Now, Hamlet, hear. ’Tis given out that, sleeping in my orchard, A
serpent stung me; so the whole ear of Denmark Is by a forged process of
my death Rankly abus’d; but know, thou noble youth, The serpent that
did sting thy father’s life Now wears his crown.

HAMLET. O my prophetic soul! Mine uncle!

GHOST. Ay, that incestuous, that adulterate beast, With witchcraft of
his wit, with traitorous gifts,— O wicked wit, and gifts, that have the
power So to seduce!—won to his shameful lust The will of my most
seeming-virtuous queen. O Hamlet, what a falling off was there, From
me, whose love was of that dignity That it went hand in hand even with
the vow I made to her in marriage; and to decline Upon a wretch whose
natural gifts were poor To those of mine. But virtue, as it never will
be mov’d, Though lewdness court it in a shape of heaven; So lust,
though to a radiant angel link’d, Will sate itself in a celestial bed
And prey on garbage. But soft! methinks I scent the morning air; Brief
let me be. Sleeping within my orchard, My custom always of the
afternoon, Upon my secure hour thy uncle stole With juice of cursed
hebenon in a vial, And in the porches of my ears did pour The leperous
distilment, whose effect Holds such an enmity with blood of man That
swift as quicksilver it courses through The natural gates and alleys of
the body; And with a sudden vigour it doth posset And curd, like eager
droppings into milk, The thin and wholesome blood. So did it mine; And
a most instant tetter bark’d about, Most lazar-like, with vile and
loathsome crust All my smooth body. Thus was I, sleeping, by a
brother’s hand, Of life, of crown, of queen at once dispatch’d: Cut off
even in the blossoms of my sin, Unhous’led, disappointed, unanel’d; No
reckoning made, but sent to my account With all my imperfections on my
head. O horrible! O horrible! most horrible! If thou hast nature in
thee, bear it not; Let not the royal bed of Denmark be A couch for
luxury and damned incest. But howsoever thou pursu’st this act, Taint
not thy mind, nor let thy soul contrive Against thy mother aught; leave
her to heaven, And to those thorns that in her bosom lodge, To prick
and sting her. Fare thee well at once! The glow-worm shows the matin to
be near, And ’gins to pale his uneffectual fire. Adieu, adieu, adieu.
Hamlet, remember me.

 [_Exit._]

HAMLET. O all you host of heaven! O earth! What else? And shall I
couple hell? O, fie! Hold, my heart; And you, my sinews, grow not
instant old, But bear me stiffly up. Remember thee? Ay, thou poor
ghost, while memory holds a seat In this distracted globe. Remember
thee? Yea, from the table of my memory I’ll wipe away all trivial fond
records, All saws of books, all forms, all pressures past, That youth
and observation copied there; And thy commandment all alone shall live
Within the book and volume of my brain, Unmix’d with baser matter. Yes,
by heaven! O most pernicious woman! O villain, villain, smiling damned
villain! My tables. Meet it is I set it down, That one may smile, and
smile, and be a villain! At least I am sure it may be so in Denmark.

 [_Writing._]

So, uncle, there you are. Now to my word; It is ‘Adieu, adieu, remember
me.’ I have sworn’t.

HORATIO and MARCELLUS. [_Within._] My lord, my lord.

MARCELLUS. [_Within._] Lord Hamlet.

HORATIO. [_Within._] Heaven secure him.

HAMLET. So be it!

MARCELLUS. [_Within._] Illo, ho, ho, my lord!

HAMLET. Hillo, ho, ho, boy! Come, bird, come.

 Enter Horatio and Marcellus.

MARCELLUS. How is’t, my noble lord?

HORATIO. What news, my lord?

HAMLET. O, wonderful!

HORATIO. Good my lord, tell it.

HAMLET. No, you’ll reveal it.

HORATIO. Not I, my lord, by heaven.

MARCELLUS. Nor I, my lord.

HAMLET. How say you then, would heart of man once think it?— But you’ll
be secret?

HORATIO and MARCELLUS. Ay, by heaven, my lord.

HAMLET. There’s ne’er a villain dwelling in all Denmark But he’s an
arrant knave.

HORATIO. There needs no ghost, my lord, come from the grave To tell us
this.

HAMLET. Why, right; you are i’ the right; And so, without more
circumstance at all, I hold it fit that we shake hands and part: You,
as your business and desires shall point you,— For every man hath
business and desire, Such as it is;—and for my own poor part, Look you,
I’ll go pray.

HORATIO. These are but wild and whirling words, my lord.

HAMLET. I’m sorry they offend you, heartily; Yes faith, heartily.

HORATIO. There’s no offence, my lord.

HAMLET. Yes, by Saint Patrick, but there is, Horatio, And much offence
too. Touching this vision here, It is an honest ghost, that let me tell
you. For your desire to know what is between us, O’ermaster’t as you
may. And now, good friends, As you are friends, scholars, and soldiers,
Give me one poor request.

HORATIO. What is’t, my lord? We will.

HAMLET. Never make known what you have seen tonight.

HORATIO and MARCELLUS. My lord, we will not.

HAMLET. Nay, but swear’t.

HORATIO. In faith, my lord, not I.

MARCELLUS. Nor I, my lord, in faith.

HAMLET. Upon my sword.

MARCELLUS. We have sworn, my lord, already.

HAMLET. Indeed, upon my sword, indeed.

GHOST. [_Cries under the stage._] Swear.

HAMLET. Ha, ha boy, say’st thou so? Art thou there, truepenny? Come on,
you hear this fellow in the cellarage. Consent to swear.

HORATIO. Propose the oath, my lord.

HAMLET. Never to speak of this that you have seen. Swear by my sword.

GHOST. [_Beneath._] Swear.

HAMLET. _Hic et ubique?_ Then we’ll shift our ground. Come hither,
gentlemen, And lay your hands again upon my sword. Never to speak of
this that you have heard. Swear by my sword.

GHOST. [_Beneath._] Swear.

HAMLET. Well said, old mole! Canst work i’ th’earth so fast? A worthy
pioner! Once more remove, good friends.

HORATIO. O day and night, but this is wondrous strange.

HAMLET. And therefore as a stranger give it welcome. There are more
things in heaven and earth, Horatio, Than are dreamt of in your
philosophy. But come, Here, as before, never, so help you mercy, How
strange or odd soe’er I bear myself,— As I perchance hereafter shall
think meet To put an antic disposition on— That you, at such times
seeing me, never shall, With arms encumber’d thus, or this head-shake,
Or by pronouncing of some doubtful phrase, As ‘Well, we know’, or ‘We
could and if we would’, Or ‘If we list to speak’; or ‘There be and if
they might’, Or such ambiguous giving out, to note That you know aught
of me:—this not to do. So grace and mercy at your most need help you,
Swear.

GHOST. [_Beneath._] Swear.

HAMLET. Rest, rest, perturbed spirit. So, gentlemen, With all my love I
do commend me to you; And what so poor a man as Hamlet is May do
t’express his love and friending to you, God willing, shall not lack.
Let us go in together, And still your fingers on your lips, I pray. The
time is out of joint. O cursed spite, That ever I was born to set it
right. Nay, come, let’s go together.

 [_Exeunt._]



ACT II

SCENE I. A room in Polonius’s house.

 Enter Polonius and Reynaldo.

POLONIUS. Give him this money and these notes, Reynaldo.

REYNALDO. I will, my lord.

POLONIUS. You shall do marvellous wisely, good Reynaldo, Before you
visit him, to make inquiry Of his behaviour.

REYNALDO. My lord, I did intend it.

POLONIUS. Marry, well said; very well said. Look you, sir, Enquire me
first what Danskers are in Paris; And how, and who, what means, and
where they keep, What company, at what expense; and finding By this
encompassment and drift of question, That they do know my son, come you
more nearer Than your particular demands will touch it. Take you as
’twere some distant knowledge of him, As thus, ‘I know his father and
his friends, And in part him’—do you mark this, Reynaldo?

REYNALDO. Ay, very well, my lord.

POLONIUS. ‘And in part him, but,’ you may say, ‘not well; But if’t be
he I mean, he’s very wild; Addicted so and so;’ and there put on him
What forgeries you please; marry, none so rank As may dishonour him;
take heed of that; But, sir, such wanton, wild, and usual slips As are
companions noted and most known To youth and liberty.

REYNALDO. As gaming, my lord?

POLONIUS. Ay, or drinking, fencing, swearing, Quarrelling, drabbing.
You may go so far.

REYNALDO. My lord, that would dishonour him.

POLONIUS. Faith no, as you may season it in the charge. You must not
put another scandal on him, That he is open to incontinency; That’s not
my meaning: but breathe his faults so quaintly That they may seem the
taints of liberty; The flash and outbreak of a fiery mind, A savageness
in unreclaimed blood, Of general assault.

REYNALDO. But my good lord—

POLONIUS. Wherefore should you do this?

REYNALDO. Ay, my lord, I would know that.

POLONIUS. Marry, sir, here’s my drift, And I believe it is a fetch of
warrant. You laying these slight sullies on my son, As ’twere a thing a
little soil’d i’ th’ working, Mark you, Your party in converse, him you
would sound, Having ever seen in the prenominate crimes The youth you
breathe of guilty, be assur’d He closes with you in this consequence;
‘Good sir,’ or so; or ‘friend,’ or ‘gentleman’— According to the phrase
or the addition Of man and country.

REYNALDO. Very good, my lord.

POLONIUS. And then, sir, does he this,— He does—What was I about to
say? By the mass, I was about to say something. Where did I leave?

REYNALDO. At ‘closes in the consequence.’ At ‘friend or so,’ and
‘gentleman.’

POLONIUS. At ‘closes in the consequence’ ay, marry! He closes with you
thus: ‘I know the gentleman, I saw him yesterday, or t’other day, Or
then, or then, with such and such; and, as you say, There was he
gaming, there o’ertook in’s rouse, There falling out at tennis’: or
perchance, ‘I saw him enter such a house of sale’— _Videlicet_, a
brothel, or so forth. See you now; Your bait of falsehood takes this
carp of truth; And thus do we of wisdom and of reach, With windlasses,
and with assays of bias, By indirections find directions out. So by my
former lecture and advice Shall you my son. You have me, have you not?

REYNALDO. My lord, I have.

POLONIUS. God b’ wi’ you, fare you well.

REYNALDO. Good my lord.

POLONIUS. Observe his inclination in yourself.

REYNALDO. I shall, my lord.

POLONIUS. And let him ply his music.

REYNALDO. Well, my lord.

POLONIUS. Farewell.

 [_Exit Reynaldo._]

 Enter Ophelia.

How now, Ophelia, what’s the matter?

OPHELIA. Alas, my lord, I have been so affrighted.

POLONIUS. With what, in the name of God?

OPHELIA. My lord, as I was sewing in my chamber, Lord Hamlet, with his
doublet all unbrac’d, No hat upon his head, his stockings foul’d,
Ungart’red, and down-gyved to his ankle, Pale as his shirt, his knees
knocking each other, And with a look so piteous in purport As if he had
been loosed out of hell To speak of horrors, he comes before me.

POLONIUS. Mad for thy love?

OPHELIA. My lord, I do not know, but truly I do fear it.

POLONIUS. What said he?

OPHELIA. He took me by the wrist and held me hard; Then goes he to the
length of all his arm; And with his other hand thus o’er his brow, He
falls to such perusal of my face As he would draw it. Long stay’d he
so, At last,—a little shaking of mine arm, And thrice his head thus
waving up and down, He rais’d a sigh so piteous and profound As it did
seem to shatter all his bulk And end his being. That done, he lets me
go, And with his head over his shoulder turn’d He seem’d to find his
way without his eyes, For out o’ doors he went without their help, And
to the last bended their light on me.

POLONIUS. Come, go with me. I will go seek the King. This is the very
ecstasy of love, Whose violent property fordoes itself, And leads the
will to desperate undertakings, As oft as any passion under heaven That
does afflict our natures. I am sorry,— What, have you given him any
hard words of late?

OPHELIA. No, my good lord; but as you did command, I did repel his
letters and denied His access to me.

POLONIUS. That hath made him mad. I am sorry that with better heed and
judgment I had not quoted him. I fear’d he did but trifle, And meant to
wreck thee. But beshrew my jealousy! It seems it is as proper to our
age To cast beyond ourselves in our opinions As it is common for the
younger sort To lack discretion. Come, go we to the King. This must be
known, which, being kept close, might move More grief to hide than hate
to utter love.

 [_Exeunt._]

SCENE II. A room in the Castle.

 Enter King, Queen, Rosencrantz, Guildenstern and Attendants.

KING. Welcome, dear Rosencrantz and Guildenstern. Moreover that we much
did long to see you, The need we have to use you did provoke Our hasty
sending. Something have you heard Of Hamlet’s transformation; so I call
it, Since nor th’exterior nor the inward man Resembles that it was.
What it should be, More than his father’s death, that thus hath put him
So much from th’understanding of himself, I cannot dream of. I entreat
you both That, being of so young days brought up with him, And since so
neighbour’d to his youth and humour, That you vouchsafe your rest here
in our court Some little time, so by your companies To draw him on to
pleasures and to gather, So much as from occasion you may glean,
Whether aught to us unknown afflicts him thus That, open’d, lies within
our remedy.

QUEEN. Good gentlemen, he hath much talk’d of you, And sure I am, two
men there are not living To whom he more adheres. If it will please you
To show us so much gentry and good will As to expend your time with us
awhile, For the supply and profit of our hope, Your visitation shall
receive such thanks As fits a king’s remembrance.

ROSENCRANTZ. Both your majesties Might, by the sovereign power you have
of us, Put your dread pleasures more into command Than to entreaty.

GUILDENSTERN. We both obey, And here give up ourselves, in the full
bent, To lay our service freely at your feet To be commanded.

KING. Thanks, Rosencrantz and gentle Guildenstern.

QUEEN. Thanks, Guildenstern and gentle Rosencrantz. And I beseech you
instantly to visit My too much changed son. Go, some of you, And bring
these gentlemen where Hamlet is.

GUILDENSTERN. Heavens make our presence and our practices Pleasant and
helpful to him.

QUEEN. Ay, amen.

 [_Exeunt Rosencrantz, Guildenstern and some Attendants._]

 Enter Polonius.

POLONIUS. Th’ambassadors from Norway, my good lord, Are joyfully
return’d.

KING. Thou still hast been the father of good news.

POLONIUS. Have I, my lord? Assure you, my good liege, I hold my duty,
as I hold my soul, Both to my God and to my gracious King: And I do
think,—or else this brain of mine Hunts not the trail of policy so sure
As it hath us’d to do—that I have found The very cause of Hamlet’s
lunacy.

KING. O speak of that, that do I long to hear.

POLONIUS. Give first admittance to th’ambassadors; My news shall be the
fruit to that great feast.

KING. Thyself do grace to them, and bring them in.

 [_Exit Polonius._]

He tells me, my sweet queen, that he hath found The head and source of
all your son’s distemper.

QUEEN. I doubt it is no other but the main, His father’s death and our
o’erhasty marriage.

KING. Well, we shall sift him.

 Enter Polonius with Voltemand and Cornelius.

Welcome, my good friends! Say, Voltemand, what from our brother Norway?

VOLTEMAND. Most fair return of greetings and desires. Upon our first,
he sent out to suppress His nephew’s levies, which to him appear’d To
be a preparation ’gainst the Polack; But better look’d into, he truly
found It was against your Highness; whereat griev’d, That so his
sickness, age, and impotence Was falsely borne in hand, sends out
arrests On Fortinbras; which he, in brief, obeys, Receives rebuke from
Norway; and in fine, Makes vow before his uncle never more To give
th’assay of arms against your Majesty. Whereon old Norway, overcome
with joy, Gives him three thousand crowns in annual fee, And his
commission to employ those soldiers So levied as before, against the
Polack: With an entreaty, herein further shown, [_Gives a paper._] That
it might please you to give quiet pass Through your dominions for this
enterprise, On such regards of safety and allowance As therein are set
down.

KING. It likes us well; And at our more consider’d time we’ll read,
Answer, and think upon this business. Meantime we thank you for your
well-took labour. Go to your rest, at night we’ll feast together:. Most
welcome home.

 [_Exeunt Voltemand and Cornelius._]

POLONIUS. This business is well ended. My liege and madam, to
expostulate What majesty should be, what duty is, Why day is day, night
night, and time is time. Were nothing but to waste night, day and time.
Therefore, since brevity is the soul of wit, And tediousness the limbs
and outward flourishes, I will be brief. Your noble son is mad. Mad
call I it; for to define true madness, What is’t but to be nothing else
but mad? But let that go.

QUEEN. More matter, with less art.

POLONIUS. Madam, I swear I use no art at all. That he is mad, ’tis
true: ’tis true ’tis pity; And pity ’tis ’tis true. A foolish figure,
But farewell it, for I will use no art. Mad let us grant him then. And
now remains That we find out the cause of this effect, Or rather say,
the cause of this defect, For this effect defective comes by cause.
Thus it remains, and the remainder thus. Perpend, I have a
daughter—have whilst she is mine— Who in her duty and obedience, mark,
Hath given me this. Now gather, and surmise. [_Reads._] _To the
celestial, and my soul’s idol, the most beautified Ophelia_— That’s an
ill phrase, a vile phrase; ‘beautified’ is a vile phrase: but you shall
hear. [_Reads._] _these; in her excellent white bosom, these, &c._

QUEEN. Came this from Hamlet to her?

POLONIUS. Good madam, stay awhile; I will be faithful. [_Reads._]
_Doubt thou the stars are fire, Doubt that the sun doth move, Doubt
truth to be a liar, But never doubt I love. O dear Ophelia, I am ill at
these numbers. I have not art to reckon my groans. But that I love thee
best, O most best, believe it. Adieu. Thine evermore, most dear lady,
whilst this machine is to him, HAMLET._ This in obedience hath my
daughter show’d me; And more above, hath his solicitings, As they fell
out by time, by means, and place, All given to mine ear.

KING. But how hath she receiv’d his love?

POLONIUS. What do you think of me?

KING. As of a man faithful and honourable.

POLONIUS. I would fain prove so. But what might you think, When I had
seen this hot love on the wing, As I perceiv’d it, I must tell you
that, Before my daughter told me, what might you, Or my dear Majesty
your queen here, think, If I had play’d the desk or table-book, Or
given my heart a winking, mute and dumb, Or look’d upon this love with
idle sight, What might you think? No, I went round to work, And my
young mistress thus I did bespeak: ‘Lord Hamlet is a prince, out of thy
star. This must not be.’ And then I precepts gave her, That she should
lock herself from his resort, Admit no messengers, receive no tokens.
Which done, she took the fruits of my advice, And he, repulsed,—a short
tale to make— Fell into a sadness, then into a fast, Thence to a watch,
thence into a weakness, Thence to a lightness, and, by this declension,
Into the madness wherein now he raves, And all we wail for.

KING. Do you think ’tis this?

QUEEN. It may be, very likely.

POLONIUS. Hath there been such a time, I’d fain know that, That I have
positively said ‘’Tis so,’ When it prov’d otherwise?

KING. Not that I know.

POLONIUS. Take this from this, if this be otherwise. [_Points to his
head and shoulder._] If circumstances lead me, I will find Where truth
is hid, though it were hid indeed Within the centre.

KING. How may we try it further?

POLONIUS. You know sometimes he walks four hours together Here in the
lobby.

QUEEN. So he does indeed.

POLONIUS. At such a time I’ll loose my daughter to him. Be you and I
behind an arras then, Mark the encounter. If he love her not, And be
not from his reason fall’n thereon, Let me be no assistant for a state,
But keep a farm and carters.

KING. We will try it.

 Enter Hamlet, reading.

QUEEN. But look where sadly the poor wretch comes reading.

POLONIUS. Away, I do beseech you, both away I’ll board him presently.
O, give me leave.

 [_Exeunt King, Queen and Attendants._]

How does my good Lord Hamlet?

HAMLET. Well, God-a-mercy.

POLONIUS. Do you know me, my lord?

HAMLET. Excellent well. You’re a fishmonger.

POLONIUS. Not I, my lord.

HAMLET. Then I would you were so honest a man.

POLONIUS. Honest, my lord?

HAMLET. Ay sir, to be honest, as this world goes, is to be one man
picked out of ten thousand.

POLONIUS. That’s very true, my lord.

HAMLET. For if the sun breed maggots in a dead dog, being a good
kissing carrion,— Have you a daughter?

POLONIUS. I have, my lord.

HAMLET. Let her not walk i’ th’ sun. Conception is a blessing, but not
as your daughter may conceive. Friend, look to’t.

POLONIUS. How say you by that? [_Aside._] Still harping on my daughter.
Yet he knew me not at first; he said I was a fishmonger. He is far
gone, far gone. And truly in my youth I suffered much extremity for
love; very near this. I’ll speak to him again.—What do you read, my
lord?

HAMLET. Words, words, words.

POLONIUS. What is the matter, my lord?

HAMLET. Between who?

POLONIUS. I mean the matter that you read, my lord.

HAMLET. Slanders, sir. For the satirical slave says here that old men
have grey beards; that their faces are wrinkled; their eyes purging
thick amber and plum-tree gum; and that they have a plentiful lack of
wit, together with most weak hams. All which, sir, though I most
powerfully and potently believe, yet I hold it not honesty to have it
thus set down. For you yourself, sir, should be old as I am, if like a
crab you could go backward.

POLONIUS. [_Aside._] Though this be madness, yet there is a method
in’t.— Will you walk out of the air, my lord?

HAMLET. Into my grave?

POLONIUS. Indeed, that is out o’ the air. [_Aside._] How pregnant
sometimes his replies are! A happiness that often madness hits on,
which reason and sanity could not so prosperously be delivered of. I
will leave him and suddenly contrive the means of meeting between him
and my daughter. My honourable lord, I will most humbly take my leave
of you.

HAMLET. You cannot, sir, take from me anything that I will more
willingly part withal, except my life, except my life, except my life.

POLONIUS. Fare you well, my lord.

HAMLET. These tedious old fools.

 Enter Rosencrantz and Guildenstern.

POLONIUS. You go to seek the Lord Hamlet; there he is.

ROSENCRANTZ. [_To Polonius._] God save you, sir.

 [_Exit Polonius._]

GUILDENSTERN. My honoured lord!

ROSENCRANTZ. My most dear lord!

HAMLET. My excellent good friends! How dost thou, Guildenstern? Ah,
Rosencrantz. Good lads, how do ye both?

ROSENCRANTZ. As the indifferent children of the earth.

GUILDENSTERN. Happy in that we are not over-happy; On Fortune’s cap we
are not the very button.

HAMLET. Nor the soles of her shoe?

ROSENCRANTZ. Neither, my lord.

HAMLET. Then you live about her waist, or in the middle of her favours?

GUILDENSTERN. Faith, her privates we.

HAMLET. In the secret parts of Fortune? O, most true; she is a
strumpet. What’s the news?

ROSENCRANTZ. None, my lord, but that the world’s grown honest.

HAMLET. Then is doomsday near. But your news is not true. Let me
question more in particular. What have you, my good friends, deserved
at the hands of Fortune, that she sends you to prison hither?

GUILDENSTERN. Prison, my lord?

HAMLET. Denmark’s a prison.

ROSENCRANTZ. Then is the world one.

HAMLET. A goodly one; in which there are many confines, wards, and
dungeons, Denmark being one o’ th’ worst.

ROSENCRANTZ. We think not so, my lord.

HAMLET. Why, then ’tis none to you; for there is nothing either good or
bad but thinking makes it so. To me it is a prison.

ROSENCRANTZ. Why, then your ambition makes it one; ’tis too narrow for
your mind.

HAMLET. O God, I could be bounded in a nutshell, and count myself a
king of infinite space, were it not that I have bad dreams.

GUILDENSTERN. Which dreams, indeed, are ambition; for the very
substance of the ambitious is merely the shadow of a dream.

HAMLET. A dream itself is but a shadow.

ROSENCRANTZ. Truly, and I hold ambition of so airy and light a quality
that it is but a shadow’s shadow.

HAMLET. Then are our beggars bodies, and our monarchs and outstretch’d
heroes the beggars’ shadows. Shall we to th’ court? For, by my fay, I
cannot reason.

ROSENCRANTZ and GUILDENSTERN. We’ll wait upon you.

HAMLET. No such matter. I will not sort you with the rest of my
servants; for, to speak to you like an honest man, I am most dreadfully
attended. But, in the beaten way of friendship, what make you at
Elsinore?

ROSENCRANTZ. To visit you, my lord, no other occasion.

HAMLET. Beggar that I am, I am even poor in thanks; but I thank you.
And sure, dear friends, my thanks are too dear a halfpenny. Were you
not sent for? Is it your own inclining? Is it a free visitation? Come,
deal justly with me. Come, come; nay, speak.

GUILDENSTERN. What should we say, my lord?

HAMLET. Why, anything. But to the purpose. You were sent for; and there
is a kind of confession in your looks, which your modesties have not
craft enough to colour. I know the good King and Queen have sent for
you.

ROSENCRANTZ. To what end, my lord?

HAMLET. That you must teach me. But let me conjure you, by the rights
of our fellowship, by the consonancy of our youth, by the obligation of
our ever-preserved love, and by what more dear a better proposer could
charge you withal, be even and direct with me, whether you were sent
for or no.

ROSENCRANTZ. [_To Guildenstern._] What say you?

HAMLET. [_Aside._] Nay, then I have an eye of you. If you love me, hold
not off.

GUILDENSTERN. My lord, we were sent for.

HAMLET. I will tell you why; so shall my anticipation prevent your
discovery, and your secrecy to the King and Queen moult no feather. I
have of late, but wherefore I know not, lost all my mirth, forgone all
custom of exercises; and indeed, it goes so heavily with my disposition
that this goodly frame the earth, seems to me a sterile promontory;
this most excellent canopy the air, look you, this brave o’erhanging
firmament, this majestical roof fretted with golden fire, why, it
appears no other thing to me than a foul and pestilent congregation of
vapours. What a piece of work is man! How noble in reason? How infinite
in faculties, in form and moving, how express and admirable? In action
how like an angel? In apprehension, how like a god? The beauty of the
world, the paragon of animals. And yet, to me, what is this
quintessence of dust? Man delights not me; no, nor woman neither,
though by your smiling you seem to say so.

ROSENCRANTZ. My lord, there was no such stuff in my thoughts.

HAMLET. Why did you laugh then, when I said ‘Man delights not me’?

ROSENCRANTZ. To think, my lord, if you delight not in man, what Lenten
entertainment the players shall receive from you. We coted them on the
way, and hither are they coming to offer you service.

HAMLET. He that plays the king shall be welcome,—his Majesty shall have
tribute of me; the adventurous knight shall use his foil and target;
the lover shall not sigh gratis, the humorous man shall end his part in
peace; the clown shall make those laugh whose lungs are tickle a’ th’
sere; and the lady shall say her mind freely, or the blank verse shall
halt for’t. What players are they?

ROSENCRANTZ. Even those you were wont to take such delight in—the
tragedians of the city.

HAMLET. How chances it they travel? Their residence, both in reputation
and profit, was better both ways.

ROSENCRANTZ. I think their inhibition comes by the means of the late
innovation.

HAMLET. Do they hold the same estimation they did when I was in the
city? Are they so followed?

ROSENCRANTZ. No, indeed, they are not.

HAMLET. How comes it? Do they grow rusty?

ROSENCRANTZ. Nay, their endeavour keeps in the wonted pace; but there
is, sir, an ayry of children, little eyases, that cry out on the top of
question, and are most tyrannically clapped for’t. These are now the
fashion, and so berattle the common stages—so they call them—that many
wearing rapiers are afraid of goose-quills and dare scarce come
thither.

HAMLET. What, are they children? Who maintains ’em? How are they
escoted? Will they pursue the quality no longer than they can sing?
Will they not say afterwards, if they should grow themselves to common
players—as it is most like, if their means are no better—their writers
do them wrong to make them exclaim against their own succession?

ROSENCRANTZ. Faith, there has been much to do on both sides; and the
nation holds it no sin to tarre them to controversy. There was for a
while, no money bid for argument unless the poet and the player went to
cuffs in the question.

HAMLET. Is’t possible?

GUILDENSTERN. O, there has been much throwing about of brains.

HAMLET. Do the boys carry it away?

ROSENCRANTZ. Ay, that they do, my lord. Hercules and his load too.

HAMLET. It is not very strange; for my uncle is King of Denmark, and
those that would make mouths at him while my father lived, give twenty,
forty, fifty, a hundred ducats apiece for his picture in little.
’Sblood, there is something in this more than natural, if philosophy
could find it out.

 [_Flourish of trumpets within._]

GUILDENSTERN. There are the players.

HAMLET. Gentlemen, you are welcome to Elsinore. Your hands, come. The
appurtenance of welcome is fashion and ceremony. Let me comply with you
in this garb, lest my extent to the players, which I tell you must show
fairly outward, should more appear like entertainment than yours. You
are welcome. But my uncle-father and aunt-mother are deceived.

GUILDENSTERN. In what, my dear lord?

HAMLET. I am but mad north-north-west. When the wind is southerly, I
know a hawk from a handsaw.

 Enter Polonius.

POLONIUS. Well be with you, gentlemen.

HAMLET. Hark you, Guildenstern, and you too, at each ear a hearer. That
great baby you see there is not yet out of his swaddling clouts.

ROSENCRANTZ. Happily he’s the second time come to them; for they say an
old man is twice a child.

HAMLET. I will prophesy he comes to tell me of the players. Mark
it.—You say right, sir: for a Monday morning ’twas so indeed.

POLONIUS. My lord, I have news to tell you.

HAMLET. My lord, I have news to tell you. When Roscius was an actor in
Rome—

POLONIUS. The actors are come hither, my lord.

HAMLET. Buzz, buzz.

POLONIUS. Upon my honour.

HAMLET. Then came each actor on his ass—

POLONIUS. The best actors in the world, either for tragedy, comedy,
history, pastoral, pastoral-comical, historical-pastoral,
tragical-historical, tragical-comical-historical-pastoral, scene
individable, or poem unlimited. Seneca cannot be too heavy, nor Plautus
too light, for the law of writ and the liberty. These are the only men.

HAMLET. O Jephthah, judge of Israel, what a treasure hadst thou!

POLONIUS. What treasure had he, my lord?

HAMLET. Why— ’One fair daughter, and no more, The which he loved
passing well.’

POLONIUS. [_Aside._] Still on my daughter.

HAMLET. Am I not i’ th’ right, old Jephthah?

POLONIUS. If you call me Jephthah, my lord, I have a daughter that I
love passing well.

HAMLET. Nay, that follows not.

POLONIUS. What follows then, my lord?

HAMLET. Why, As by lot, God wot, and then, you know, It came to pass,
as most like it was. The first row of the pious chanson will show you
more. For look where my abridgement comes.

 Enter four or five Players.

You are welcome, masters, welcome all. I am glad to see thee well.
Welcome, good friends. O, my old friend! Thy face is valanc’d since I
saw thee last. Com’st thou to beard me in Denmark? What, my young lady
and mistress! By’r lady, your ladyship is nearer to heaven than when I
saw you last, by the altitude of a chopine. Pray God your voice, like a
piece of uncurrent gold, be not cracked within the ring. Masters, you
are all welcome. We’ll e’en to’t like French falconers, fly at anything
we see. We’ll have a speech straight. Come, give us a taste of your
quality. Come, a passionate speech.

FIRST PLAYER. What speech, my lord?

HAMLET. I heard thee speak me a speech once, but it was never acted, or
if it was, not above once, for the play, I remember, pleased not the
million, ’twas caviare to the general. But it was—as I received it, and
others, whose judgments in such matters cried in the top of mine—an
excellent play, well digested in the scenes, set down with as much
modesty as cunning. I remember one said there were no sallets in the
lines to make the matter savoury, nor no matter in the phrase that
might indite the author of affectation, but called it an honest method,
as wholesome as sweet, and by very much more handsome than fine. One
speech in it, I chiefly loved. ’Twas Aeneas’ tale to Dido, and
thereabout of it especially where he speaks of Priam’s slaughter. If it
live in your memory, begin at this line, let me see, let me see: _The
rugged Pyrrhus, like th’ Hyrcanian beast,—_ It is not so: it begins
with Pyrrhus— _The rugged Pyrrhus, he whose sable arms, Black as his
purpose, did the night resemble When he lay couched in the ominous
horse, Hath now this dread and black complexion smear’d With heraldry
more dismal. Head to foot Now is he total gules, horridly trick’d With
blood of fathers, mothers, daughters, sons, Bak’d and impasted with the
parching streets, That lend a tyrannous and a damned light To their
vile murders. Roasted in wrath and fire, And thus o’ersized with
coagulate gore, With eyes like carbuncles, the hellish Pyrrhus Old
grandsire Priam seeks._ So, proceed you.

POLONIUS. ’Fore God, my lord, well spoken, with good accent and good
discretion.

FIRST PLAYER. _Anon he finds him, Striking too short at Greeks. His
antique sword, Rebellious to his arm, lies where it falls, Repugnant to
command. Unequal match’d, Pyrrhus at Priam drives, in rage strikes
wide; But with the whiff and wind of his fell sword Th’unnerved father
falls. Then senseless Ilium, Seeming to feel this blow, with flaming
top Stoops to his base, and with a hideous crash Takes prisoner
Pyrrhus’ ear. For lo, his sword, Which was declining on the milky head
Of reverend Priam, seem’d i’ th’air to stick. So, as a painted tyrant,
Pyrrhus stood, And like a neutral to his will and matter, Did nothing.
But as we often see against some storm, A silence in the heavens, the
rack stand still, The bold winds speechless, and the orb below As hush
as death, anon the dreadful thunder Doth rend the region; so after
Pyrrhus’ pause, Aroused vengeance sets him new a-work, And never did
the Cyclops’ hammers fall On Mars’s armour, forg’d for proof eterne,
With less remorse than Pyrrhus’ bleeding sword Now falls on Priam. Out,
out, thou strumpet Fortune! All you gods, In general synod, take away
her power; Break all the spokes and fellies from her wheel, And bowl
the round nave down the hill of heaven, As low as to the fiends._

POLONIUS. This is too long.

HAMLET. It shall to the barber’s, with your beard.—Prythee say on. He’s
for a jig or a tale of bawdry, or he sleeps. Say on; come to Hecuba.

FIRST PLAYER. _But who, O who, had seen the mobled queen,—_

HAMLET. ‘The mobled queen’?

POLONIUS. That’s good! ‘Mobled queen’ is good.

FIRST PLAYER. _Run barefoot up and down, threat’ning the flames With
bisson rheum. A clout upon that head Where late the diadem stood, and
for a robe, About her lank and all o’erteemed loins, A blanket, in
th’alarm of fear caught up— Who this had seen, with tongue in venom
steep’d, ’Gainst Fortune’s state would treason have pronounc’d. But if
the gods themselves did see her then, When she saw Pyrrhus make
malicious sport In mincing with his sword her husband’s limbs, The
instant burst of clamour that she made,— Unless things mortal move them
not at all,— Would have made milch the burning eyes of heaven, And
passion in the gods._

POLONIUS. Look, where he has not turn’d his colour, and has tears in’s
eyes. Pray you, no more.

HAMLET. ’Tis well. I’ll have thee speak out the rest of this soon.—Good
my lord, will you see the players well bestowed? Do you hear, let them
be well used; for they are the abstracts and brief chronicles of the
time. After your death you were better have a bad epitaph than their
ill report while you live.

POLONIUS. My lord, I will use them according to their desert.

HAMLET. God’s bodikin, man, better. Use every man after his desert, and
who should scape whipping? Use them after your own honour and dignity.
The less they deserve, the more merit is in your bounty. Take them in.

POLONIUS. Come, sirs.

HAMLET. Follow him, friends. We’ll hear a play tomorrow.

 [_Exeunt Polonius with all the Players but the First._]

Dost thou hear me, old friend? Can you play _The Murder of Gonzago_?

FIRST PLAYER. Ay, my lord.

HAMLET. We’ll ha’t tomorrow night. You could for a need study a speech
of some dozen or sixteen lines, which I would set down and insert in’t,
could you not?

FIRST PLAYER. Ay, my lord.

HAMLET. Very well. Follow that lord, and look you mock him not.

 [_Exit First Player._]

[_To Rosencrantz and Guildenstern_] My good friends, I’ll leave you
till night. You are welcome to Elsinore.

ROSENCRANTZ. Good my lord.

 [_Exeunt Rosencrantz and Guildenstern._]

HAMLET. Ay, so, God b’ wi’ ye. Now I am alone. O what a rogue and
peasant slave am I! Is it not monstrous that this player here, But in a
fiction, in a dream of passion, Could force his soul so to his own
conceit That from her working all his visage wan’d; Tears in his eyes,
distraction in’s aspect, A broken voice, and his whole function suiting
With forms to his conceit? And all for nothing! For Hecuba? What’s
Hecuba to him, or he to Hecuba, That he should weep for her? What would
he do, Had he the motive and the cue for passion That I have? He would
drown the stage with tears And cleave the general ear with horrid
speech; Make mad the guilty, and appal the free, Confound the ignorant,
and amaze indeed, The very faculties of eyes and ears. Yet I, A dull
and muddy-mettled rascal, peak Like John-a-dreams, unpregnant of my
cause, And can say nothing. No, not for a king Upon whose property and
most dear life A damn’d defeat was made. Am I a coward? Who calls me
villain, breaks my pate across? Plucks off my beard and blows it in my
face? Tweaks me by the nose, gives me the lie i’ th’ throat As deep as
to the lungs? Who does me this? Ha! ’Swounds, I should take it: for it
cannot be But I am pigeon-liver’d, and lack gall To make oppression
bitter, or ere this I should have fatted all the region kites With this
slave’s offal. Bloody, bawdy villain! Remorseless, treacherous,
lecherous, kindless villain! Oh vengeance! Why, what an ass am I! This
is most brave, That I, the son of a dear father murder’d, Prompted to
my revenge by heaven and hell, Must, like a whore, unpack my heart with
words And fall a-cursing like a very drab, A scullion! Fie upon’t! Foh!
About, my brain! I have heard That guilty creatures sitting at a play,
Have by the very cunning of the scene, Been struck so to the soul that
presently They have proclaim’d their malefactions. For murder, though
it have no tongue, will speak With most miraculous organ. I’ll have
these players Play something like the murder of my father Before mine
uncle. I’ll observe his looks; I’ll tent him to the quick. If he but
blench, I know my course. The spirit that I have seen May be the devil,
and the devil hath power T’assume a pleasing shape, yea, and perhaps
Out of my weakness and my melancholy, As he is very potent with such
spirits, Abuses me to damn me. I’ll have grounds More relative than
this. The play’s the thing Wherein I’ll catch the conscience of the
King.

 [_Exit._]



ACT III

SCENE I. A room in the Castle.

 Enter King, Queen, Polonius, Ophelia, Rosencrantz and Guildenstern.

KING. And can you by no drift of circumstance Get from him why he puts
on this confusion, Grating so harshly all his days of quiet With
turbulent and dangerous lunacy?

ROSENCRANTZ. He does confess he feels himself distracted, But from what
cause he will by no means speak.

GUILDENSTERN. Nor do we find him forward to be sounded, But with a
crafty madness keeps aloof When we would bring him on to some
confession Of his true state.

QUEEN. Did he receive you well?

ROSENCRANTZ. Most like a gentleman.

GUILDENSTERN. But with much forcing of his disposition.

ROSENCRANTZ. Niggard of question, but of our demands, Most free in his
reply.

QUEEN. Did you assay him to any pastime?

ROSENCRANTZ. Madam, it so fell out that certain players We o’er-raught
on the way. Of these we told him, And there did seem in him a kind of
joy To hear of it. They are about the court, And, as I think, they have
already order This night to play before him.

POLONIUS. ’Tis most true; And he beseech’d me to entreat your Majesties
To hear and see the matter.

KING. With all my heart; and it doth much content me To hear him so
inclin’d. Good gentlemen, give him a further edge, And drive his
purpose on to these delights.

ROSENCRANTZ. We shall, my lord.

 [_Exeunt Rosencrantz and Guildenstern._]

KING. Sweet Gertrude, leave us too, For we have closely sent for Hamlet
hither, That he, as ’twere by accident, may here Affront Ophelia. Her
father and myself, lawful espials, Will so bestow ourselves that,
seeing unseen, We may of their encounter frankly judge, And gather by
him, as he is behav’d, If’t be th’affliction of his love or no That
thus he suffers for.

QUEEN. I shall obey you. And for your part, Ophelia, I do wish That
your good beauties be the happy cause Of Hamlet’s wildness: so shall I
hope your virtues Will bring him to his wonted way again, To both your
honours.

OPHELIA. Madam, I wish it may.

 [_Exit Queen._]

POLONIUS. Ophelia, walk you here.—Gracious, so please you, We will
bestow ourselves.—[_To Ophelia._] Read on this book, That show of such
an exercise may colour Your loneliness.—We are oft to blame in this,
’Tis too much prov’d, that with devotion’s visage And pious action we
do sugar o’er The devil himself.

KING. [_Aside._] O ’tis too true! How smart a lash that speech doth
give my conscience! The harlot’s cheek, beautied with plastering art,
Is not more ugly to the thing that helps it Than is my deed to my most
painted word. O heavy burden!

POLONIUS. I hear him coming. Let’s withdraw, my lord.

 [_Exeunt King and Polonius._]

 Enter Hamlet.

HAMLET. To be, or not to be, that is the question: Whether ’tis nobler
in the mind to suffer The slings and arrows of outrageous fortune, Or
to take arms against a sea of troubles, And by opposing end them? To
die—to sleep, No more; and by a sleep to say we end The heart-ache, and
the thousand natural shocks That flesh is heir to: ’tis a consummation
Devoutly to be wish’d. To die, to sleep. To sleep, perchance to
dream—ay, there’s the rub, For in that sleep of death what dreams may
come, When we have shuffled off this mortal coil, Must give us pause.
There’s the respect That makes calamity of so long life. For who would
bear the whips and scorns of time, The oppressor’s wrong, the proud
man’s contumely, The pangs of dispriz’d love, the law’s delay, The
insolence of office, and the spurns That patient merit of the unworthy
takes, When he himself might his quietus make With a bare bodkin? Who
would these fardels bear, To grunt and sweat under a weary life, But
that the dread of something after death, The undiscover’d country, from
whose bourn No traveller returns, puzzles the will, And makes us rather
bear those ills we have Than fly to others that we know not of? Thus
conscience does make cowards of us all, And thus the native hue of
resolution Is sicklied o’er with the pale cast of thought, And
enterprises of great pith and moment, With this regard their currents
turn awry And lose the name of action. Soft you now, The fair Ophelia!
Nymph, in thy orisons Be all my sins remember’d.

OPHELIA. Good my lord, How does your honour for this many a day?

HAMLET. I humbly thank you; well, well, well.

OPHELIA. My lord, I have remembrances of yours That I have longed long
to re-deliver. I pray you, now receive them.

HAMLET. No, not I. I never gave you aught.

OPHELIA. My honour’d lord, you know right well you did, And with them
words of so sweet breath compos’d As made the things more rich; their
perfume lost, Take these again; for to the noble mind Rich gifts wax
poor when givers prove unkind. There, my lord.

HAMLET. Ha, ha! Are you honest?

OPHELIA. My lord?

HAMLET. Are you fair?

OPHELIA. What means your lordship?

HAMLET. That if you be honest and fair, your honesty should admit no
discourse to your beauty.

OPHELIA. Could beauty, my lord, have better commerce than with honesty?

HAMLET. Ay, truly; for the power of beauty will sooner transform
honesty from what it is to a bawd than the force of honesty can
translate beauty into his likeness. This was sometime a paradox, but
now the time gives it proof. I did love you once.

OPHELIA. Indeed, my lord, you made me believe so.

HAMLET. You should not have believed me; for virtue cannot so inoculate
our old stock but we shall relish of it. I loved you not.

OPHELIA. I was the more deceived.

HAMLET. Get thee to a nunnery. Why wouldst thou be a breeder of
sinners? I am myself indifferent honest; but yet I could accuse me of
such things that it were better my mother had not borne me. I am very
proud, revengeful, ambitious, with more offences at my beck than I have
thoughts to put them in, imagination to give them shape, or time to act
them in. What should such fellows as I do crawling between earth and
heaven? We are arrant knaves all, believe none of us. Go thy ways to a
nunnery. Where’s your father?

OPHELIA. At home, my lord.

HAMLET. Let the doors be shut upon him, that he may play the fool
nowhere but in’s own house. Farewell.

OPHELIA. O help him, you sweet heavens!

HAMLET. If thou dost marry, I’ll give thee this plague for thy dowry.
Be thou as chaste as ice, as pure as snow, thou shalt not escape
calumny. Get thee to a nunnery, go: farewell. Or if thou wilt needs
marry, marry a fool; for wise men know well enough what monsters you
make of them. To a nunnery, go; and quickly too. Farewell.

OPHELIA. O heavenly powers, restore him!

HAMLET. I have heard of your paintings too, well enough. God hath given
you one face, and you make yourselves another. You jig, you amble, and
you lisp, and nickname God’s creatures, and make your wantonness your
ignorance. Go to, I’ll no more on’t, it hath made me mad. I say, we
will have no more marriages. Those that are married already, all but
one, shall live; the rest shall keep as they are. To a nunnery, go.

 [_Exit._]

OPHELIA. O, what a noble mind is here o’erthrown! The courtier’s,
soldier’s, scholar’s, eye, tongue, sword, Th’expectancy and rose of the
fair state, The glass of fashion and the mould of form, Th’observ’d of
all observers, quite, quite down! And I, of ladies most deject and
wretched, That suck’d the honey of his music vows, Now see that noble
and most sovereign reason, Like sweet bells jangled out of tune and
harsh, That unmatch’d form and feature of blown youth Blasted with
ecstasy. O woe is me, T’have seen what I have seen, see what I see.

 Enter King and Polonius.

KING. Love? His affections do not that way tend, Nor what he spake,
though it lack’d form a little, Was not like madness. There’s something
in his soul O’er which his melancholy sits on brood, And I do doubt the
hatch and the disclose Will be some danger, which for to prevent, I
have in quick determination Thus set it down: he shall with speed to
England For the demand of our neglected tribute: Haply the seas and
countries different, With variable objects, shall expel This something
settled matter in his heart, Whereon his brains still beating puts him
thus From fashion of himself. What think you on’t?

POLONIUS. It shall do well. But yet do I believe The origin and
commencement of his grief Sprung from neglected love. How now, Ophelia?
You need not tell us what Lord Hamlet said, We heard it all. My lord,
do as you please, But if you hold it fit, after the play, Let his queen
mother all alone entreat him To show his grief, let her be round with
him, And I’ll be plac’d, so please you, in the ear Of all their
conference. If she find him not, To England send him; or confine him
where Your wisdom best shall think.

KING. It shall be so. Madness in great ones must not unwatch’d go.

 [_Exeunt._]

SCENE II. A hall in the Castle.

 Enter Hamlet and certain Players.

HAMLET. Speak the speech, I pray you, as I pronounced it to you,
trippingly on the tongue. But if you mouth it, as many of your players
do, I had as lief the town-crier spoke my lines. Nor do not saw the air
too much with your hand, thus, but use all gently; for in the very
torrent, tempest, and, as I may say, whirlwind of passion, you must
acquire and beget a temperance that may give it smoothness. O, it
offends me to the soul to hear a robustious periwig-pated fellow tear a
passion to tatters, to very rags, to split the ears of the groundlings,
who, for the most part, are capable of nothing but inexplicable dumb
shows and noise. I would have such a fellow whipped for o’erdoing
Termagant. It out-Herods Herod. Pray you avoid it.

FIRST PLAYER. I warrant your honour.

HAMLET. Be not too tame neither; but let your own discretion be your
tutor. Suit the action to the word, the word to the action, with this
special observance, that you o’erstep not the modesty of nature; for
anything so overdone is from the purpose of playing, whose end, both at
the first and now, was and is, to hold as ’twere the mirror up to
nature; to show virtue her own feature, scorn her own image, and the
very age and body of the time his form and pressure. Now, this
overdone, or come tardy off, though it make the unskilful laugh, cannot
but make the judicious grieve; the censure of the which one must in
your allowance o’erweigh a whole theatre of others. O, there be players
that I have seen play—and heard others praise, and that highly—not to
speak it profanely, that, neither having the accent of Christians, nor
the gait of Christian, pagan, nor man, have so strutted and bellowed
that I have thought some of Nature’s journeymen had made men, and not
made them well, they imitated humanity so abominably.

FIRST PLAYER. I hope we have reform’d that indifferently with us, sir.

HAMLET. O reform it altogether. And let those that play your clowns
speak no more than is set down for them. For there be of them that will
themselves laugh, to set on some quantity of barren spectators to laugh
too, though in the meantime some necessary question of the play be then
to be considered. That’s villanous, and shows a most pitiful ambition
in the fool that uses it. Go make you ready.

 [_Exeunt Players._]

 Enter Polonius, Rosencrantz and Guildenstern.

How now, my lord? Will the King hear this piece of work?

POLONIUS. And the Queen too, and that presently.

HAMLET. Bid the players make haste.

 [_Exit Polonius._]

Will you two help to hasten them?

ROSENCRANTZ and GUILDENSTERN. We will, my lord.

 [_Exeunt Rosencrantz and Guildenstern._]

HAMLET. What ho, Horatio!

 Enter Horatio.

HORATIO. Here, sweet lord, at your service.

HAMLET. Horatio, thou art e’en as just a man As e’er my conversation
cop’d withal.

HORATIO. O my dear lord.

HAMLET. Nay, do not think I flatter; For what advancement may I hope
from thee, That no revenue hast, but thy good spirits To feed and
clothe thee? Why should the poor be flatter’d? No, let the candied
tongue lick absurd pomp, And crook the pregnant hinges of the knee
Where thrift may follow fawning. Dost thou hear? Since my dear soul was
mistress of her choice, And could of men distinguish, her election Hath
seal’d thee for herself. For thou hast been As one, in suffering all,
that suffers nothing, A man that Fortune’s buffets and rewards Hast
ta’en with equal thanks. And bles’d are those Whose blood and judgment
are so well co-mingled That they are not a pipe for Fortune’s finger To
sound what stop she please. Give me that man That is not passion’s
slave, and I will wear him In my heart’s core, ay, in my heart of
heart, As I do thee. Something too much of this. There is a play
tonight before the King. One scene of it comes near the circumstance
Which I have told thee, of my father’s death. I prythee, when thou
see’st that act a-foot, Even with the very comment of thy soul Observe
mine uncle. If his occulted guilt Do not itself unkennel in one speech,
It is a damned ghost that we have seen; And my imaginations are as foul
As Vulcan’s stithy. Give him heedful note; For I mine eyes will rivet
to his face; And after we will both our judgments join In censure of
his seeming.

HORATIO. Well, my lord. If he steal aught the whilst this play is
playing, And scape detecting, I will pay the theft.

HAMLET. They are coming to the play. I must be idle. Get you a place.

 Danish march. A flourish. Enter King, Queen, Polonius, Ophelia,
 Rosencrantz, Guildenstern and others.

KING. How fares our cousin Hamlet?

HAMLET. Excellent, i’ faith; of the chameleon’s dish: I eat the air,
promise-crammed: you cannot feed capons so.

KING. I have nothing with this answer, Hamlet; these words are not
mine.

HAMLET. No, nor mine now. [_To Polonius._] My lord, you play’d once i’
th’university, you say?

POLONIUS. That did I, my lord, and was accounted a good actor.

HAMLET. What did you enact?

POLONIUS. I did enact Julius Caesar. I was kill’d i’ th’ Capitol.
Brutus killed me.

HAMLET. It was a brute part of him to kill so capital a calf there. Be
the players ready?

ROSENCRANTZ. Ay, my lord; they stay upon your patience.

QUEEN. Come hither, my dear Hamlet, sit by me.

HAMLET. No, good mother, here’s metal more attractive.

POLONIUS. [_To the King._] O ho! do you mark that?

HAMLET. Lady, shall I lie in your lap?

 [_Lying down at Ophelia’s feet._]

OPHELIA. No, my lord.

HAMLET. I mean, my head upon your lap?

OPHELIA. Ay, my lord.

HAMLET. Do you think I meant country matters?

OPHELIA. I think nothing, my lord.

HAMLET. That’s a fair thought to lie between maids’ legs.

OPHELIA. What is, my lord?

HAMLET. Nothing.

OPHELIA. You are merry, my lord.

HAMLET. Who, I?

OPHELIA. Ay, my lord.

HAMLET. O God, your only jig-maker! What should a man do but be merry?
For look you how cheerfully my mother looks, and my father died
within’s two hours.

OPHELIA. Nay, ’tis twice two months, my lord.

HAMLET. So long? Nay then, let the devil wear black, for I’ll have a
suit of sables. O heavens! die two months ago, and not forgotten yet?
Then there’s hope a great man’s memory may outlive his life half a
year. But by’r lady, he must build churches then; or else shall he
suffer not thinking on, with the hobby-horse, whose epitaph is ‘For, O,
for O, the hobby-horse is forgot!’

 Trumpets sound. The dumb show enters.

_Enter a King and a Queen very lovingly; the Queen embracing him and he
her. She kneels, and makes show of protestation unto him. He takes her
up, and declines his head upon her neck. Lays him down upon a bank of
flowers. She, seeing him asleep, leaves him. Anon comes in a fellow,
takes off his crown, kisses it, pours poison in the King’s ears, and
exits. The Queen returns, finds the King dead, and makes passionate
action. The Poisoner with some three or four Mutes, comes in again,
seeming to lament with her. The dead body is carried away. The Poisoner
woos the Queen with gifts. She seems loth and unwilling awhile, but in
the end accepts his love._

 [_Exeunt._]

OPHELIA. What means this, my lord?

HAMLET. Marry, this is miching mallicho; it means mischief.

OPHELIA. Belike this show imports the argument of the play.

 Enter Prologue.

HAMLET. We shall know by this fellow: the players cannot keep counsel;
they’ll tell all.

OPHELIA. Will they tell us what this show meant?

HAMLET. Ay, or any show that you’ll show him. Be not you ashamed to
show, he’ll not shame to tell you what it means.

OPHELIA. You are naught, you are naught: I’ll mark the play.

PROLOGUE. _For us, and for our tragedy, Here stooping to your clemency,
We beg your hearing patiently._

HAMLET. Is this a prologue, or the posy of a ring?

OPHELIA. ’Tis brief, my lord.

HAMLET. As woman’s love.

 Enter a King and a Queen.

PLAYER KING. Full thirty times hath Phoebus’ cart gone round Neptune’s
salt wash and Tellus’ orbed ground, And thirty dozen moons with
borrow’d sheen About the world have times twelve thirties been, Since
love our hearts, and Hymen did our hands Unite commutual in most sacred
bands.

PLAYER QUEEN. So many journeys may the sun and moon Make us again count
o’er ere love be done. But, woe is me, you are so sick of late, So far
from cheer and from your former state, That I distrust you. Yet, though
I distrust, Discomfort you, my lord, it nothing must: For women’s fear
and love holds quantity, In neither aught, or in extremity. Now what my
love is, proof hath made you know, And as my love is siz’d, my fear is
so. Where love is great, the littlest doubts are fear; Where little
fears grow great, great love grows there.

PLAYER KING. Faith, I must leave thee, love, and shortly too: My
operant powers their functions leave to do: And thou shalt live in this
fair world behind, Honour’d, belov’d, and haply one as kind For husband
shalt thou—

PLAYER QUEEN. O confound the rest. Such love must needs be treason in
my breast. In second husband let me be accurst! None wed the second but
who kill’d the first.

HAMLET. [_Aside._] Wormwood, wormwood.

PLAYER QUEEN. The instances that second marriage move Are base respects
of thrift, but none of love. A second time I kill my husband dead, When
second husband kisses me in bed.

PLAYER KING. I do believe you think what now you speak; But what we do
determine, oft we break. Purpose is but the slave to memory, Of violent
birth, but poor validity: Which now, like fruit unripe, sticks on the
tree, But fall unshaken when they mellow be. Most necessary ’tis that
we forget To pay ourselves what to ourselves is debt. What to ourselves
in passion we propose, The passion ending, doth the purpose lose. The
violence of either grief or joy Their own enactures with themselves
destroy. Where joy most revels, grief doth most lament; Grief joys, joy
grieves, on slender accident. This world is not for aye; nor ’tis not
strange That even our loves should with our fortunes change, For ’tis a
question left us yet to prove, Whether love lead fortune, or else
fortune love. The great man down, you mark his favourite flies, The
poor advanc’d makes friends of enemies; And hitherto doth love on
fortune tend: For who not needs shall never lack a friend, And who in
want a hollow friend doth try, Directly seasons him his enemy. But
orderly to end where I begun, Our wills and fates do so contrary run
That our devices still are overthrown. Our thoughts are ours, their
ends none of our own. So think thou wilt no second husband wed, But die
thy thoughts when thy first lord is dead.

PLAYER QUEEN. Nor earth to me give food, nor heaven light, Sport and
repose lock from me day and night, To desperation turn my trust and
hope, An anchor’s cheer in prison be my scope, Each opposite that
blanks the face of joy, Meet what I would have well, and it destroy!
Both here and hence pursue me lasting strife, If, once a widow, ever I
be wife.

HAMLET. [_To Ophelia._] If she should break it now.

PLAYER KING. ’Tis deeply sworn. Sweet, leave me here awhile. My spirits
grow dull, and fain I would beguile The tedious day with sleep.
[_Sleeps._]

PLAYER QUEEN. Sleep rock thy brain, And never come mischance between us
twain.

 [_Exit._]

HAMLET. Madam, how like you this play?

QUEEN. The lady protests too much, methinks.

HAMLET. O, but she’ll keep her word.

KING. Have you heard the argument? Is there no offence in’t?

HAMLET. No, no, they do but jest, poison in jest; no offence i’ th’
world.

KING. What do you call the play?

HAMLET. _The Mousetrap._ Marry, how? Tropically. This play is the image
of a murder done in Vienna. Gonzago is the Duke’s name, his wife
Baptista: you shall see anon; ’tis a knavish piece of work: but what o’
that? Your majesty, and we that have free souls, it touches us not. Let
the gall’d jade wince; our withers are unwrung.

 Enter Lucianus.

This is one Lucianus, nephew to the King.

OPHELIA. You are a good chorus, my lord.

HAMLET. I could interpret between you and your love, if I could see the
puppets dallying.

OPHELIA. You are keen, my lord, you are keen.

HAMLET. It would cost you a groaning to take off my edge.

OPHELIA. Still better, and worse.

HAMLET. So you mistake your husbands.—Begin, murderer. Pox, leave thy
damnable faces, and begin. Come, the croaking raven doth bellow for
revenge.

LUCIANUS. Thoughts black, hands apt, drugs fit, and time agreeing,
Confederate season, else no creature seeing; Thou mixture rank, of
midnight weeds collected, With Hecate’s ban thrice blasted, thrice
infected, Thy natural magic and dire property On wholesome life usurp
immediately.

 [_Pours the poison into the sleeper’s ears._]

HAMLET. He poisons him i’ th’garden for’s estate. His name’s Gonzago.
The story is extant, and written in very choice Italian. You shall see
anon how the murderer gets the love of Gonzago’s wife.

OPHELIA. The King rises.

HAMLET. What, frighted with false fire?

QUEEN. How fares my lord?

POLONIUS. Give o’er the play.

KING. Give me some light. Away.

All. Lights, lights, lights.

 [_Exeunt all but Hamlet and Horatio._]

HAMLET. Why, let the strucken deer go weep, The hart ungalled play; For
some must watch, while some must sleep, So runs the world away. Would
not this, sir, and a forest of feathers, if the rest of my fortunes
turn Turk with me; with two Provincial roses on my razed shoes, get me
a fellowship in a cry of players, sir?

HORATIO. Half a share.

HAMLET. A whole one, I. For thou dost know, O Damon dear, This realm
dismantled was Of Jove himself, and now reigns here A very,
very—pajock.

HORATIO. You might have rhymed.

HAMLET. O good Horatio, I’ll take the ghost’s word for a thousand
pound. Didst perceive?

HORATIO. Very well, my lord.

HAMLET. Upon the talk of the poisoning?

HORATIO. I did very well note him.

HAMLET. Ah, ha! Come, some music. Come, the recorders. For if the king
like not the comedy, Why then, belike he likes it not, perdie. Come,
some music.

 Enter Rosencrantz and Guildenstern.

GUILDENSTERN. Good my lord, vouchsafe me a word with you.

HAMLET. Sir, a whole history.

GUILDENSTERN. The King, sir—

HAMLET. Ay, sir, what of him?

GUILDENSTERN. Is in his retirement, marvellous distempered.

HAMLET. With drink, sir?

GUILDENSTERN. No, my lord; rather with choler.

HAMLET. Your wisdom should show itself more richer to signify this to
the doctor, for me to put him to his purgation would perhaps plunge him
into far more choler.

GUILDENSTERN. Good my lord, put your discourse into some frame, and
start not so wildly from my affair.

HAMLET. I am tame, sir, pronounce.

GUILDENSTERN. The Queen your mother, in most great affliction of
spirit, hath sent me to you.

HAMLET. You are welcome.

GUILDENSTERN. Nay, good my lord, this courtesy is not of the right
breed. If it shall please you to make me a wholesome answer, I will do
your mother’s commandment; if not, your pardon and my return shall be
the end of my business.

HAMLET. Sir, I cannot.

GUILDENSTERN. What, my lord?

HAMLET. Make you a wholesome answer. My wit’s diseased. But, sir, such
answer as I can make, you shall command; or rather, as you say, my
mother. Therefore no more, but to the matter. My mother, you say,—

ROSENCRANTZ. Then thus she says: your behaviour hath struck her into
amazement and admiration.

HAMLET. O wonderful son, that can so stonish a mother! But is there no
sequel at the heels of this mother’s admiration?

ROSENCRANTZ. She desires to speak with you in her closet ere you go to
bed.

HAMLET. We shall obey, were she ten times our mother. Have you any
further trade with us?

ROSENCRANTZ. My lord, you once did love me.

HAMLET. And so I do still, by these pickers and stealers.

ROSENCRANTZ. Good my lord, what is your cause of distemper? You do
surely bar the door upon your own liberty if you deny your griefs to
your friend.

HAMLET. Sir, I lack advancement.

ROSENCRANTZ. How can that be, when you have the voice of the King
himself for your succession in Denmark?

HAMLET. Ay, sir, but while the grass grows—the proverb is something
musty.

 Re-enter the Players with recorders.

O, the recorders. Let me see one.—To withdraw with you, why do you go
about to recover the wind of me, as if you would drive me into a toil?

GUILDENSTERN. O my lord, if my duty be too bold, my love is too
unmannerly.

HAMLET. I do not well understand that. Will you play upon this pipe?

GUILDENSTERN. My lord, I cannot.

HAMLET. I pray you.

GUILDENSTERN. Believe me, I cannot.

HAMLET. I do beseech you.

GUILDENSTERN. I know no touch of it, my lord.

HAMLET. ’Tis as easy as lying: govern these ventages with your finger
and thumb, give it breath with your mouth, and it will discourse most
eloquent music. Look you, these are the stops.

GUILDENSTERN. But these cannot I command to any utterance of harmony. I
have not the skill.

HAMLET. Why, look you now, how unworthy a thing you make of me! You
would play upon me; you would seem to know my stops; you would pluck
out the heart of my mystery; you would sound me from my lowest note to
the top of my compass; and there is much music, excellent voice, in
this little organ, yet cannot you make it speak. ’Sblood, do you think
I am easier to be played on than a pipe? Call me what instrument you
will, though you can fret me, you cannot play upon me.

 Enter Polonius.

God bless you, sir.

POLONIUS. My lord, the Queen would speak with you, and presently.

HAMLET. Do you see yonder cloud that’s almost in shape of a camel?

POLONIUS. By the mass, and ’tis like a camel indeed.

HAMLET. Methinks it is like a weasel.

POLONIUS. It is backed like a weasel.

HAMLET. Or like a whale.

POLONIUS. Very like a whale.

HAMLET. Then will I come to my mother by and by.—They fool me to the
top of my bent.—I will come by and by.

POLONIUS. I will say so.

 [_Exit._]

HAMLET. By and by is easily said. Leave me, friends.

 [_Exeunt all but Hamlet._]

’Tis now the very witching time of night, When churchyards yawn, and
hell itself breathes out Contagion to this world. Now could I drink hot
blood, And do such bitter business as the day Would quake to look on.
Soft now, to my mother. O heart, lose not thy nature; let not ever The
soul of Nero enter this firm bosom: Let me be cruel, not unnatural. I
will speak daggers to her, but use none; My tongue and soul in this be
hypocrites. How in my words somever she be shent, To give them seals
never, my soul, consent.

 [_Exit._]

SCENE III. A room in the Castle.

 Enter King, Rosencrantz and Guildenstern.

KING. I like him not, nor stands it safe with us To let his madness
range. Therefore prepare you, I your commission will forthwith
dispatch, And he to England shall along with you. The terms of our
estate may not endure Hazard so near us as doth hourly grow Out of his
lunacies.

GUILDENSTERN. We will ourselves provide. Most holy and religious fear
it is To keep those many many bodies safe That live and feed upon your
Majesty.

ROSENCRANTZ. The single and peculiar life is bound With all the
strength and armour of the mind, To keep itself from ’noyance; but much
more That spirit upon whose weal depend and rest The lives of many. The
cease of majesty Dies not alone; but like a gulf doth draw What’s near
it with it. It is a massy wheel Fix’d on the summit of the highest
mount, To whose huge spokes ten thousand lesser things Are mortis’d and
adjoin’d; which when it falls, Each small annexment, petty consequence,
Attends the boist’rous ruin. Never alone Did the King sigh, but with a
general groan.

KING. Arm you, I pray you, to this speedy voyage; For we will fetters
put upon this fear, Which now goes too free-footed.

ROSENCRANTZ and GUILDENSTERN. We will haste us.

 [_Exeunt Rosencrantz and Guildenstern._]

 Enter Polonius.

POLONIUS. My lord, he’s going to his mother’s closet. Behind the arras
I’ll convey myself To hear the process. I’ll warrant she’ll tax him
home, And as you said, and wisely was it said, ’Tis meet that some more
audience than a mother, Since nature makes them partial, should
o’erhear The speech of vantage. Fare you well, my liege, I’ll call upon
you ere you go to bed, And tell you what I know.

KING. Thanks, dear my lord.

 [_Exit Polonius._]

O, my offence is rank, it smells to heaven; It hath the primal eldest
curse upon’t,— A brother’s murder! Pray can I not, Though inclination
be as sharp as will: My stronger guilt defeats my strong intent, And,
like a man to double business bound, I stand in pause where I shall
first begin, And both neglect. What if this cursed hand Were thicker
than itself with brother’s blood, Is there not rain enough in the sweet
heavens To wash it white as snow? Whereto serves mercy But to confront
the visage of offence? And what’s in prayer but this twofold force, To
be forestalled ere we come to fall, Or pardon’d being down? Then I’ll
look up. My fault is past. But O, what form of prayer Can serve my
turn? Forgive me my foul murder! That cannot be; since I am still
possess’d Of those effects for which I did the murder,— My crown, mine
own ambition, and my queen. May one be pardon’d and retain th’offence?
In the corrupted currents of this world Offence’s gilded hand may shove
by justice, And oft ’tis seen the wicked prize itself Buys out the law.
But ’tis not so above; There is no shuffling, there the action lies In
his true nature, and we ourselves compell’d Even to the teeth and
forehead of our faults, To give in evidence. What then? What rests? Try
what repentance can. What can it not? Yet what can it, when one cannot
repent? O wretched state! O bosom black as death! O limed soul, that
struggling to be free, Art more engag’d! Help, angels! Make assay: Bow,
stubborn knees; and heart with strings of steel, Be soft as sinews of
the new-born babe. All may be well.

 [_Retires and kneels._]

 Enter Hamlet.

HAMLET. Now might I do it pat, now he is praying. And now I’ll do’t.
And so he goes to heaven; And so am I reveng’d. That would be scann’d:
A villain kills my father, and for that I, his sole son, do this same
villain send To heaven. O, this is hire and salary, not revenge. He
took my father grossly, full of bread, With all his crimes broad blown,
as flush as May; And how his audit stands, who knows save heaven? But
in our circumstance and course of thought, ’Tis heavy with him. And am
I then reveng’d, To take him in the purging of his soul, When he is fit
and season’d for his passage? No. Up, sword, and know thou a more
horrid hent: When he is drunk asleep; or in his rage, Or in
th’incestuous pleasure of his bed, At gaming, swearing; or about some
act That has no relish of salvation in’t, Then trip him, that his heels
may kick at heaven, And that his soul may be as damn’d and black As
hell, whereto it goes. My mother stays. This physic but prolongs thy
sickly days.

 [_Exit._]

 The King rises and advances.

KING. My words fly up, my thoughts remain below. Words without thoughts
never to heaven go.

 [_Exit._]

SCENE IV. Another room in the Castle.

 Enter Queen and Polonius.

POLONIUS. He will come straight. Look you lay home to him, Tell him his
pranks have been too broad to bear with, And that your Grace hath
screen’d and stood between Much heat and him. I’ll silence me e’en
here. Pray you be round with him.

HAMLET. [_Within._] Mother, mother, mother.

QUEEN. I’ll warrant you, Fear me not. Withdraw, I hear him coming.

 [_Polonius goes behind the arras._]

 Enter Hamlet.

HAMLET. Now, mother, what’s the matter?

QUEEN. Hamlet, thou hast thy father much offended.

HAMLET. Mother, you have my father much offended.

QUEEN. Come, come, you answer with an idle tongue.

HAMLET. Go, go, you question with a wicked tongue.

QUEEN. Why, how now, Hamlet?

HAMLET. What’s the matter now?

QUEEN. Have you forgot me?

HAMLET. No, by the rood, not so. You are the Queen, your husband’s
brother’s wife, And, would it were not so. You are my mother.

QUEEN. Nay, then I’ll set those to you that can speak.

HAMLET. Come, come, and sit you down, you shall not budge. You go not
till I set you up a glass Where you may see the inmost part of you.

QUEEN. What wilt thou do? Thou wilt not murder me? Help, help, ho!

POLONIUS. [_Behind._] What, ho! help, help, help!

HAMLET. How now? A rat? [_Draws._] Dead for a ducat, dead!

 [_Makes a pass through the arras._]

POLONIUS. [_Behind._] O, I am slain!

 [_Falls and dies._]

QUEEN. O me, what hast thou done?

HAMLET. Nay, I know not. is it the King?

 [_Draws forth Polonius._]

QUEEN. O what a rash and bloody deed is this!

HAMLET. A bloody deed. Almost as bad, good mother, As kill a king and
marry with his brother.

QUEEN. As kill a king?

HAMLET. Ay, lady, ’twas my word.— [_To Polonius._] Thou wretched, rash,
intruding fool, farewell! I took thee for thy better. Take thy fortune,
Thou find’st to be too busy is some danger.— Leave wringing of your
hands. Peace, sit you down, And let me wring your heart, for so I
shall, If it be made of penetrable stuff; If damned custom have not
braz’d it so, That it is proof and bulwark against sense.

QUEEN. What have I done, that thou dar’st wag thy tongue In noise so
rude against me?

HAMLET. Such an act That blurs the grace and blush of modesty, Calls
virtue hypocrite, takes off the rose From the fair forehead of an
innocent love, And sets a blister there. Makes marriage vows As false
as dicers’ oaths. O such a deed As from the body of contraction plucks
The very soul, and sweet religion makes A rhapsody of words. Heaven’s
face doth glow, Yea this solidity and compound mass, With tristful
visage, as against the doom, Is thought-sick at the act.

QUEEN. Ay me, what act, That roars so loud, and thunders in the index?

HAMLET. Look here upon this picture, and on this, The counterfeit
presentment of two brothers. See what a grace was seated on this brow,
Hyperion’s curls, the front of Jove himself, An eye like Mars, to
threaten and command, A station like the herald Mercury New lighted on
a heaven-kissing hill: A combination and a form indeed, Where every god
did seem to set his seal, To give the world assurance of a man. This
was your husband. Look you now what follows. Here is your husband, like
a mildew’d ear Blasting his wholesome brother. Have you eyes? Could you
on this fair mountain leave to feed, And batten on this moor? Ha! have
you eyes? You cannot call it love; for at your age The hey-day in the
blood is tame, it’s humble, And waits upon the judgment: and what
judgment Would step from this to this? Sense sure you have, Else could
you not have motion; but sure that sense Is apoplex’d, for madness
would not err Nor sense to ecstacy was ne’er so thrall’d But it
reserv’d some quantity of choice To serve in such a difference. What
devil was’t That thus hath cozen’d you at hoodman-blind? Eyes without
feeling, feeling without sight, Ears without hands or eyes, smelling
sans all, Or but a sickly part of one true sense Could not so mope. O
shame! where is thy blush? Rebellious hell, If thou canst mutine in a
matron’s bones, To flaming youth let virtue be as wax, And melt in her
own fire. Proclaim no shame When the compulsive ardour gives the
charge, Since frost itself as actively doth burn, And reason panders
will.

QUEEN. O Hamlet, speak no more. Thou turn’st mine eyes into my very
soul, And there I see such black and grained spots As will not leave
their tinct.

HAMLET. Nay, but to live In the rank sweat of an enseamed bed, Stew’d
in corruption, honeying and making love Over the nasty sty.

QUEEN. O speak to me no more; These words like daggers enter in mine
ears; No more, sweet Hamlet.

HAMLET. A murderer and a villain; A slave that is not twentieth part
the tithe Of your precedent lord. A vice of kings, A cutpurse of the
empire and the rule, That from a shelf the precious diadem stole And
put it in his pocket!

QUEEN. No more.

HAMLET. A king of shreds and patches!—

 Enter Ghost.

Save me and hover o’er me with your wings, You heavenly guards! What
would your gracious figure?

QUEEN. Alas, he’s mad.

HAMLET. Do you not come your tardy son to chide, That, laps’d in time
and passion, lets go by The important acting of your dread command? O
say!

GHOST. Do not forget. This visitation Is but to whet thy almost blunted
purpose. But look, amazement on thy mother sits. O step between her and
her fighting soul. Conceit in weakest bodies strongest works. Speak to
her, Hamlet.

HAMLET. How is it with you, lady?

QUEEN. Alas, how is’t with you, That you do bend your eye on vacancy,
And with the incorporal air do hold discourse? Forth at your eyes your
spirits wildly peep, And, as the sleeping soldiers in the alarm, Your
bedded hairs, like life in excrements, Start up and stand an end. O
gentle son, Upon the heat and flame of thy distemper Sprinkle cool
patience. Whereon do you look?

HAMLET. On him, on him! Look you how pale he glares, His form and cause
conjoin’d, preaching to stones, Would make them capable.—Do not look
upon me, Lest with this piteous action you convert My stern effects.
Then what I have to do Will want true colour; tears perchance for
blood.

QUEEN. To whom do you speak this?

HAMLET. Do you see nothing there?

QUEEN. Nothing at all; yet all that is I see.

HAMLET. Nor did you nothing hear?

QUEEN. No, nothing but ourselves.

HAMLET. Why, look you there! look how it steals away! My father, in his
habit as he liv’d! Look where he goes even now out at the portal.

 [_Exit Ghost._]

QUEEN. This is the very coinage of your brain. This bodiless creation
ecstasy Is very cunning in.

HAMLET. Ecstasy! My pulse as yours doth temperately keep time, And
makes as healthful music. It is not madness That I have utter’d. Bring
me to the test, And I the matter will re-word; which madness Would
gambol from. Mother, for love of grace, Lay not that flattering unction
to your soul That not your trespass, but my madness speaks. It will but
skin and film the ulcerous place, Whilst rank corruption, mining all
within, Infects unseen. Confess yourself to heaven, Repent what’s past,
avoid what is to come; And do not spread the compost on the weeds, To
make them ranker. Forgive me this my virtue; For in the fatness of
these pursy times Virtue itself of vice must pardon beg, Yea, curb and
woo for leave to do him good.

QUEEN. O Hamlet, thou hast cleft my heart in twain.

HAMLET. O throw away the worser part of it, And live the purer with the
other half. Good night. But go not to mine uncle’s bed. Assume a
virtue, if you have it not. That monster custom, who all sense doth
eat, Of habits evil, is angel yet in this, That to the use of actions
fair and good He likewise gives a frock or livery That aptly is put on.
Refrain tonight, And that shall lend a kind of easiness To the next
abstinence. The next more easy; For use almost can change the stamp of
nature, And either curb the devil, or throw him out With wondrous
potency. Once more, good night, And when you are desirous to be bles’d,
I’ll blessing beg of you. For this same lord [_Pointing to Polonius._]
I do repent; but heaven hath pleas’d it so, To punish me with this, and
this with me, That I must be their scourge and minister. I will bestow
him, and will answer well The death I gave him. So again, good night. I
must be cruel, only to be kind: Thus bad begins, and worse remains
behind. One word more, good lady.

QUEEN. What shall I do?

HAMLET. Not this, by no means, that I bid you do: Let the bloat King
tempt you again to bed, Pinch wanton on your cheek, call you his mouse,
And let him, for a pair of reechy kisses, Or paddling in your neck with
his damn’d fingers, Make you to ravel all this matter out, That I
essentially am not in madness, But mad in craft. ’Twere good you let
him know, For who that’s but a queen, fair, sober, wise, Would from a
paddock, from a bat, a gib, Such dear concernings hide? Who would do
so? No, in despite of sense and secrecy, Unpeg the basket on the
house’s top, Let the birds fly, and like the famous ape, To try
conclusions, in the basket creep And break your own neck down.

QUEEN. Be thou assur’d, if words be made of breath, And breath of life,
I have no life to breathe What thou hast said to me.

HAMLET. I must to England, you know that?

QUEEN. Alack, I had forgot. ’Tis so concluded on.

HAMLET. There’s letters seal’d: and my two schoolfellows, Whom I will
trust as I will adders fang’d,— They bear the mandate, they must sweep
my way And marshal me to knavery. Let it work; For ’tis the sport to
have the enginer Hoist with his own petard, and ’t shall go hard But I
will delve one yard below their mines And blow them at the moon. O,
’tis most sweet, When in one line two crafts directly meet. This man
shall set me packing. I’ll lug the guts into the neighbour room.
Mother, good night. Indeed, this counsellor Is now most still, most
secret, and most grave, Who was in life a foolish peating knave. Come,
sir, to draw toward an end with you. Good night, mother.

 [_Exit Hamlet dragging out Polonius._]



ACT IV

SCENE I. A room in the Castle.

 Enter King, Queen, Rosencrantz and Guildenstern.

KING. There’s matter in these sighs. These profound heaves You must
translate. ’tis fit we understand them. Where is your son?

QUEEN. Bestow this place on us a little while.

 [_To Rosencrantz and Guildenstern, who go out._]

Ah, my good lord, what have I seen tonight!

KING. What, Gertrude? How does Hamlet?

QUEEN. Mad as the sea and wind, when both contend Which is the
mightier. In his lawless fit Behind the arras hearing something stir,
Whips out his rapier, cries ‘A rat, a rat!’ And in this brainish
apprehension kills The unseen good old man.

KING. O heavy deed! It had been so with us, had we been there. His
liberty is full of threats to all; To you yourself, to us, to everyone.
Alas, how shall this bloody deed be answer’d? It will be laid to us,
whose providence Should have kept short, restrain’d, and out of haunt
This mad young man. But so much was our love We would not understand
what was most fit, But like the owner of a foul disease, To keep it
from divulging, let it feed Even on the pith of life. Where is he gone?

QUEEN. To draw apart the body he hath kill’d, O’er whom his very
madness, like some ore Among a mineral of metals base, Shows itself
pure. He weeps for what is done.

KING. O Gertrude, come away! The sun no sooner shall the mountains
touch But we will ship him hence, and this vile deed We must with all
our majesty and skill Both countenance and excuse.—Ho, Guildenstern!

 Re-enter Rosencrantz and Guildenstern.

Friends both, go join you with some further aid: Hamlet in madness hath
Polonius slain, And from his mother’s closet hath he dragg’d him. Go
seek him out, speak fair, and bring the body Into the chapel. I pray
you haste in this.

 [_Exeunt Rosencrantz and Guildenstern._]

Come, Gertrude, we’ll call up our wisest friends, And let them know
both what we mean to do And what’s untimely done, so haply slander,
Whose whisper o’er the world’s diameter, As level as the cannon to his
blank, Transports his poison’d shot, may miss our name, And hit the
woundless air. O, come away! My soul is full of discord and dismay.

 [_Exeunt._]

SCENE II. Another room in the Castle.

 Enter Hamlet.

HAMLET. Safely stowed.

ROSENCRANTZ and GUILDENSTERN. [_Within._] Hamlet! Lord Hamlet!

HAMLET. What noise? Who calls on Hamlet? O, here they come.

 Enter Rosencrantz and Guildenstern.

ROSENCRANTZ. What have you done, my lord, with the dead body?

HAMLET. Compounded it with dust, whereto ’tis kin.

ROSENCRANTZ. Tell us where ’tis, that we may take it thence, And bear
it to the chapel.

HAMLET. Do not believe it.

ROSENCRANTZ. Believe what?

HAMLET. That I can keep your counsel, and not mine own. Besides, to be
demanded of a sponge—what replication should be made by the son of a
king?

ROSENCRANTZ. Take you me for a sponge, my lord?

HAMLET. Ay, sir; that soaks up the King’s countenance, his rewards, his
authorities. But such officers do the King best service in the end: he
keeps them, like an ape, in the corner of his jaw; first mouthed, to be
last swallowed: when he needs what you have gleaned, it is but
squeezing you, and, sponge, you shall be dry again.

ROSENCRANTZ. I understand you not, my lord.

HAMLET. I am glad of it. A knavish speech sleeps in a foolish ear.

ROSENCRANTZ. My lord, you must tell us where the body is and go with us
to the King.

HAMLET. The body is with the King, but the King is not with the body.
The King is a thing—

GUILDENSTERN. A thing, my lord!

HAMLET. Of nothing. Bring me to him. Hide fox, and all after.

 [_Exeunt._]

SCENE III. Another room in the Castle.

 Enter King, attended.

KING. I have sent to seek him and to find the body. How dangerous is it
that this man goes loose! Yet must not we put the strong law on him:
He’s lov’d of the distracted multitude, Who like not in their judgment,
but their eyes; And where ’tis so, th’offender’s scourge is weigh’d,
But never the offence. To bear all smooth and even, This sudden sending
him away must seem Deliberate pause. Diseases desperate grown By
desperate appliance are reliev’d, Or not at all.

 Enter Rosencrantz.

How now? What hath befall’n?

ROSENCRANTZ. Where the dead body is bestow’d, my lord, We cannot get
from him.

KING. But where is he?

ROSENCRANTZ. Without, my lord, guarded, to know your pleasure.

KING. Bring him before us.

ROSENCRANTZ. Ho, Guildenstern! Bring in my lord.

 Enter Hamlet and Guildenstern.

KING. Now, Hamlet, where’s Polonius?

HAMLET. At supper.

KING. At supper? Where?

HAMLET. Not where he eats, but where he is eaten. A certain convocation
of politic worms are e’en at him. Your worm is your only emperor for
diet. We fat all creatures else to fat us, and we fat ourselves for
maggots. Your fat king and your lean beggar is but variable
service,—two dishes, but to one table. That’s the end.

KING. Alas, alas!

HAMLET. A man may fish with the worm that hath eat of a king, and eat
of the fish that hath fed of that worm.

KING. What dost thou mean by this?

HAMLET. Nothing but to show you how a king may go a progress through
the guts of a beggar.

KING. Where is Polonius?

HAMLET. In heaven. Send thither to see. If your messenger find him not
there, seek him i’ th’other place yourself. But indeed, if you find him
not within this month, you shall nose him as you go up the stairs into
the lobby.

KING. [_To some Attendants._] Go seek him there.

HAMLET. He will stay till you come.

 [_Exeunt Attendants._]

KING. Hamlet, this deed, for thine especial safety,— Which we do
tender, as we dearly grieve For that which thou hast done,—must send
thee hence With fiery quickness. Therefore prepare thyself; The bark is
ready, and the wind at help, Th’associates tend, and everything is bent
For England.

HAMLET. For England?

KING. Ay, Hamlet.

HAMLET. Good.

KING. So is it, if thou knew’st our purposes.

HAMLET. I see a cherub that sees them. But, come; for England!
Farewell, dear mother.

KING. Thy loving father, Hamlet.

HAMLET. My mother. Father and mother is man and wife; man and wife is
one flesh; and so, my mother. Come, for England.

 [_Exit._]

KING. Follow him at foot. Tempt him with speed aboard; Delay it not;
I’ll have him hence tonight. Away, for everything is seal’d and done
That else leans on th’affair. Pray you make haste.

 [_Exeunt Rosencrantz and Guildenstern._]

And England, if my love thou hold’st at aught,— As my great power
thereof may give thee sense, Since yet thy cicatrice looks raw and red
After the Danish sword, and thy free awe Pays homage to us,—thou mayst
not coldly set Our sovereign process, which imports at full, By letters
conjuring to that effect, The present death of Hamlet. Do it, England;
For like the hectic in my blood he rages, And thou must cure me. Till I
know ’tis done, Howe’er my haps, my joys were ne’er begun.

 [_Exit._]

SCENE IV. A plain in Denmark.

 Enter Fortinbras and Forces marching.

FORTINBRAS. Go, Captain, from me greet the Danish king. Tell him that
by his license, Fortinbras Craves the conveyance of a promis’d march
Over his kingdom. You know the rendezvous. If that his Majesty would
aught with us, We shall express our duty in his eye; And let him know
so.

CAPTAIN. I will do’t, my lord.

FORTINBRAS. Go softly on.

 [_Exeunt all but the Captain._]

 Enter Hamlet, Rosencrantz, Guildenstern &c.

HAMLET. Good sir, whose powers are these?

CAPTAIN. They are of Norway, sir.

HAMLET. How purpos’d, sir, I pray you?

CAPTAIN. Against some part of Poland.

HAMLET. Who commands them, sir?

CAPTAIN. The nephew to old Norway, Fortinbras.

HAMLET. Goes it against the main of Poland, sir, Or for some frontier?

CAPTAIN. Truly to speak, and with no addition, We go to gain a little
patch of ground That hath in it no profit but the name. To pay five
ducats, five, I would not farm it; Nor will it yield to Norway or the
Pole A ranker rate, should it be sold in fee.

HAMLET. Why, then the Polack never will defend it.

CAPTAIN. Yes, it is already garrison’d.

HAMLET. Two thousand souls and twenty thousand ducats Will not debate
the question of this straw! This is th’imposthume of much wealth and
peace, That inward breaks, and shows no cause without Why the man dies.
I humbly thank you, sir.

CAPTAIN. God b’ wi’ you, sir.

 [_Exit._]

ROSENCRANTZ. Will’t please you go, my lord?

HAMLET. I’ll be with you straight. Go a little before.

 [_Exeunt all but Hamlet._]

How all occasions do inform against me, And spur my dull revenge. What
is a man If his chief good and market of his time Be but to sleep and
feed? A beast, no more. Sure he that made us with such large discourse,
Looking before and after, gave us not That capability and godlike
reason To fust in us unus’d. Now whether it be Bestial oblivion, or
some craven scruple Of thinking too precisely on th’event,— A thought
which, quarter’d, hath but one part wisdom And ever three parts
coward,—I do not know Why yet I live to say this thing’s to do, Sith I
have cause, and will, and strength, and means To do’t. Examples gross
as earth exhort me, Witness this army of such mass and charge, Led by a
delicate and tender prince, Whose spirit, with divine ambition puff’d,
Makes mouths at the invisible event, Exposing what is mortal and unsure
To all that fortune, death, and danger dare, Even for an eggshell.
Rightly to be great Is not to stir without great argument, But greatly
to find quarrel in a straw When honour’s at the stake. How stand I
then, That have a father kill’d, a mother stain’d, Excitements of my
reason and my blood, And let all sleep, while to my shame I see The
imminent death of twenty thousand men That, for a fantasy and trick of
fame, Go to their graves like beds, fight for a plot Whereon the
numbers cannot try the cause, Which is not tomb enough and continent To
hide the slain? O, from this time forth, My thoughts be bloody or be
nothing worth.

 [_Exit._]

SCENE V. Elsinore. A room in the Castle.

 Enter Queen, Horatio and a Gentleman.

QUEEN. I will not speak with her.

GENTLEMAN. She is importunate, indeed distract. Her mood will needs be
pitied.

QUEEN. What would she have?

GENTLEMAN. She speaks much of her father; says she hears There’s tricks
i’ th’ world, and hems, and beats her heart, Spurns enviously at
straws, speaks things in doubt, That carry but half sense. Her speech
is nothing, Yet the unshaped use of it doth move The hearers to
collection; they aim at it, And botch the words up fit to their own
thoughts, Which, as her winks, and nods, and gestures yield them,
Indeed would make one think there might be thought, Though nothing
sure, yet much unhappily. ’Twere good she were spoken with, for she may
strew Dangerous conjectures in ill-breeding minds.

QUEEN. Let her come in.

 [_Exit Gentleman._]

To my sick soul, as sin’s true nature is, Each toy seems prologue to
some great amiss. So full of artless jealousy is guilt, It spills
itself in fearing to be spilt.

 Enter Ophelia.

OPHELIA. Where is the beauteous Majesty of Denmark?

QUEEN. How now, Ophelia?

OPHELIA. [_Sings._] How should I your true love know From another one?
By his cockle bat and staff And his sandal shoon.

QUEEN. Alas, sweet lady, what imports this song?

OPHELIA. Say you? Nay, pray you mark. [_Sings._] He is dead and gone,
lady, He is dead and gone, At his head a grass green turf, At his heels
a stone.

QUEEN. Nay, but Ophelia—

OPHELIA. Pray you mark. [_Sings._] White his shroud as the mountain
snow.

 Enter King.

QUEEN. Alas, look here, my lord!

OPHELIA. [_Sings._] Larded all with sweet flowers; Which bewept to the
grave did go With true-love showers.

KING. How do you, pretty lady?

OPHELIA. Well, God dild you! They say the owl was a baker’s daughter.
Lord, we know what we are, but know not what we may be. God be at your
table!

KING. Conceit upon her father.

OPHELIA. Pray you, let’s have no words of this; but when they ask you
what it means, say you this: [_Sings._] Tomorrow is Saint Valentine’s
day, All in the morning betime, And I a maid at your window, To be your
Valentine.

   Then up he rose and donn’d his clothes, And dupp’d the chamber door,
   Let in the maid, that out a maid Never departed more.

KING. Pretty Ophelia!

OPHELIA. Indeed la, without an oath, I’ll make an end on’t. [_Sings._]
By Gis and by Saint Charity, Alack, and fie for shame! Young men will
do’t if they come to’t; By Cock, they are to blame.

   Quoth she, before you tumbled me, You promis’d me to wed. So would I
   ha’ done, by yonder sun, An thou hadst not come to my bed.

KING. How long hath she been thus?

OPHELIA. I hope all will be well. We must be patient. But I cannot
choose but weep, to think they would lay him i’ th’ cold ground. My
brother shall know of it. And so I thank you for your good counsel.
Come, my coach! Good night, ladies; good night, sweet ladies; good
night, good night.

 [_Exit._]

KING. Follow her close; give her good watch, I pray you.

 [_Exit Horatio._]

O, this is the poison of deep grief; it springs All from her father’s
death. O Gertrude, Gertrude, When sorrows come, they come not single
spies, But in battalions. First, her father slain; Next, your son gone;
and he most violent author Of his own just remove; the people muddied,
Thick and and unwholesome in their thoughts and whispers For good
Polonius’ death; and we have done but greenly In hugger-mugger to inter
him. Poor Ophelia Divided from herself and her fair judgment, Without
the which we are pictures or mere beasts. Last, and as much containing
as all these, Her brother is in secret come from France, Feeds on his
wonder, keeps himself in clouds, And wants not buzzers to infect his
ear With pestilent speeches of his father’s death, Wherein necessity,
of matter beggar’d, Will nothing stick our person to arraign In ear and
ear. O my dear Gertrude, this, Like to a murdering piece, in many
places Gives me superfluous death.

 [_A noise within._]

QUEEN. Alack, what noise is this?

KING. Where are my Switzers? Let them guard the door.

 Enter a Gentleman.

What is the matter?

GENTLEMAN. Save yourself, my lord. The ocean, overpeering of his list,
Eats not the flats with more impetuous haste Than young Laertes, in a
riotous head, O’erbears your offices. The rabble call him lord, And, as
the world were now but to begin, Antiquity forgot, custom not known,
The ratifiers and props of every word, They cry ‘Choose we! Laertes
shall be king!’ Caps, hands, and tongues applaud it to the clouds,
‘Laertes shall be king, Laertes king.’

QUEEN. How cheerfully on the false trail they cry. O, this is counter,
you false Danish dogs.

 [_A noise within._]

KING. The doors are broke.

 Enter Laertes, armed; Danes following.

LAERTES. Where is this king?—Sirs, stand you all without.

Danes. No, let’s come in.

LAERTES. I pray you, give me leave.

DANES. We will, we will.

 [_They retire without the door._]

LAERTES. I thank you. Keep the door. O thou vile king, Give me my
father.

QUEEN. Calmly, good Laertes.

LAERTES. That drop of blood that’s calm proclaims me bastard; Cries
cuckold to my father, brands the harlot Even here between the chaste
unsmirched brow Of my true mother.

KING. What is the cause, Laertes, That thy rebellion looks so
giant-like?— Let him go, Gertrude. Do not fear our person. There’s such
divinity doth hedge a king, That treason can but peep to what it would,
Acts little of his will.—Tell me, Laertes, Why thou art thus
incens’d.—Let him go, Gertrude:— Speak, man.

LAERTES. Where is my father?

KING. Dead.

QUEEN. But not by him.

KING. Let him demand his fill.

LAERTES. How came he dead? I’ll not be juggled with. To hell,
allegiance! Vows, to the blackest devil! Conscience and grace, to the
profoundest pit! I dare damnation. To this point I stand, That both the
worlds, I give to negligence, Let come what comes; only I’ll be
reveng’d Most throughly for my father.

KING. Who shall stay you?

LAERTES. My will, not all the world. And for my means, I’ll husband
them so well, They shall go far with little.

KING. Good Laertes, If you desire to know the certainty Of your dear
father’s death, is’t writ in your revenge That, sweepstake, you will
draw both friend and foe, Winner and loser?

LAERTES. None but his enemies.

KING. Will you know them then?

LAERTES. To his good friends thus wide I’ll ope my arms; And, like the
kind life-rendering pelican, Repast them with my blood.

KING. Why, now you speak Like a good child and a true gentleman. That I
am guiltless of your father’s death, And am most sensibly in grief for
it, It shall as level to your judgment ’pear As day does to your eye.

DANES. [_Within._] Let her come in.

LAERTES. How now! What noise is that?

 Re-enter Ophelia, fantastically dressed with straws and flowers.

O heat, dry up my brains. Tears seven times salt, Burn out the sense
and virtue of mine eye. By heaven, thy madness shall be paid by weight,
Till our scale turn the beam. O rose of May! Dear maid, kind sister,
sweet Ophelia! O heavens, is’t possible a young maid’s wits Should be
as mortal as an old man’s life? Nature is fine in love, and where ’tis
fine, It sends some precious instance of itself After the thing it
loves.

OPHELIA. [_Sings._] They bore him barefac’d on the bier, Hey no nonny,
nonny, hey nonny And on his grave rain’d many a tear.— Fare you well,
my dove!

LAERTES. Hadst thou thy wits, and didst persuade revenge, It could not
move thus.

OPHELIA. You must sing ‘Down a-down, and you call him a-down-a.’ O, how
the wheel becomes it! It is the false steward that stole his master’s
daughter.

LAERTES. This nothing’s more than matter.

OPHELIA. There’s rosemary, that’s for remembrance; pray love, remember.
And there is pansies, that’s for thoughts.

LAERTES. A document in madness, thoughts and remembrance fitted.

OPHELIA. There’s fennel for you, and columbines. There’s rue for you;
and here’s some for me. We may call it herb of grace o’ Sundays. O you
must wear your rue with a difference. There’s a daisy. I would give you
some violets, but they wither’d all when my father died. They say he
made a good end. [_Sings._] For bonny sweet Robin is all my joy.

LAERTES. Thought and affliction, passion, hell itself She turns to
favour and to prettiness.

OPHELIA. [_Sings._] And will he not come again? And will he not come
again? No, no, he is dead, Go to thy death-bed, He never will come
again.

   His beard was as white as snow, All flaxen was his poll. He is gone,
   he is gone, And we cast away moan. God ha’ mercy on his soul.

And of all Christian souls, I pray God. God b’ wi’ ye.

 [_Exit._]

LAERTES. Do you see this, O God?

KING. Laertes, I must commune with your grief, Or you deny me right. Go
but apart, Make choice of whom your wisest friends you will, And they
shall hear and judge ’twixt you and me. If by direct or by collateral
hand They find us touch’d, we will our kingdom give, Our crown, our
life, and all that we call ours To you in satisfaction; but if not, Be
you content to lend your patience to us, And we shall jointly labour
with your soul To give it due content.

LAERTES. Let this be so; His means of death, his obscure burial,— No
trophy, sword, nor hatchment o’er his bones, No noble rite, nor formal
ostentation,— Cry to be heard, as ’twere from heaven to earth, That I
must call’t in question.

KING. So you shall. And where th’offence is let the great axe fall. I
pray you go with me.

 [_Exeunt._]

SCENE VI. Another room in the Castle.

 Enter Horatio and a Servant.

HORATIO. What are they that would speak with me?

SERVANT. Sailors, sir. They say they have letters for you.

HORATIO. Let them come in.

 [_Exit Servant._]

I do not know from what part of the world I should be greeted, if not
from Lord Hamlet.

 Enter Sailors.

FIRST SAILOR. God bless you, sir.

HORATIO. Let him bless thee too.

FIRST SAILOR. He shall, sir, and’t please him. There’s a letter for
you, sir. It comes from th’ambassador that was bound for England; if
your name be Horatio, as I am let to know it is.

HORATIO. [_Reads._] ‘Horatio, when thou shalt have overlooked this,
give these fellows some means to the King. They have letters for him.
Ere we were two days old at sea, a pirate of very warlike appointment
gave us chase. Finding ourselves too slow of sail, we put on a
compelled valour, and in the grapple I boarded them. On the instant
they got clear of our ship, so I alone became their prisoner. They have
dealt with me like thieves of mercy. But they knew what they did; I am
to do a good turn for them. Let the King have the letters I have sent,
and repair thou to me with as much haste as thou wouldst fly death. I
have words to speak in thine ear will make thee dumb; yet are they much
too light for the bore of the matter. These good fellows will bring
thee where I am. Rosencrantz and Guildenstern hold their course for
England: of them I have much to tell thee. Farewell. He that thou
knowest thine, HAMLET.’

Come, I will give you way for these your letters, And do’t the
speedier, that you may direct me To him from whom you brought them.

 [_Exeunt._]

SCENE VII. Another room in the Castle.

 Enter King and Laertes.

KING. Now must your conscience my acquittance seal, And you must put me
in your heart for friend, Sith you have heard, and with a knowing ear,
That he which hath your noble father slain Pursu’d my life.

LAERTES. It well appears. But tell me Why you proceeded not against
these feats, So crimeful and so capital in nature, As by your safety,
wisdom, all things else, You mainly were stirr’d up.

KING. O, for two special reasons, Which may to you, perhaps, seem much
unsinew’d, But yet to me they are strong. The Queen his mother Lives
almost by his looks; and for myself,— My virtue or my plague, be it
either which,— She’s so conjunctive to my life and soul, That, as the
star moves not but in his sphere, I could not but by her. The other
motive, Why to a public count I might not go, Is the great love the
general gender bear him, Who, dipping all his faults in their
affection, Would like the spring that turneth wood to stone, Convert
his gyves to graces; so that my arrows, Too slightly timber’d for so
loud a wind, Would have reverted to my bow again, And not where I had
aim’d them.

LAERTES. And so have I a noble father lost, A sister driven into
desperate terms, Whose worth, if praises may go back again, Stood
challenger on mount of all the age For her perfections. But my revenge
will come.

KING. Break not your sleeps for that. You must not think That we are
made of stuff so flat and dull That we can let our beard be shook with
danger, And think it pastime. You shortly shall hear more. I lov’d your
father, and we love ourself, And that, I hope, will teach you to
imagine—

 Enter a Messenger.

How now? What news?

MESSENGER. Letters, my lord, from Hamlet. This to your Majesty; this to
the Queen.

KING. From Hamlet! Who brought them?

MESSENGER. Sailors, my lord, they say; I saw them not. They were given
me by Claudio. He receiv’d them Of him that brought them.

KING. Laertes, you shall hear them. Leave us.

 [_Exit Messenger._]

[_Reads._] ‘High and mighty, you shall know I am set naked on your
kingdom. Tomorrow shall I beg leave to see your kingly eyes. When I
shall, first asking your pardon thereunto, recount the occasions of my
sudden and more strange return. HAMLET.’

What should this mean? Are all the rest come back? Or is it some abuse,
and no such thing?

LAERTES. Know you the hand?

KING. ’Tis Hamlet’s character. ’Naked!’ And in a postscript here he
says ‘alone.’ Can you advise me?

LAERTES. I am lost in it, my lord. But let him come, It warms the very
sickness in my heart That I shall live and tell him to his teeth, ‘Thus
diest thou.’

KING. If it be so, Laertes,— As how should it be so? How otherwise?—
Will you be rul’d by me?

LAERTES. Ay, my lord; So you will not o’errule me to a peace.

KING. To thine own peace. If he be now return’d, As checking at his
voyage, and that he means No more to undertake it, I will work him To
exploit, now ripe in my device, Under the which he shall not choose but
fall; And for his death no wind shall breathe, But even his mother
shall uncharge the practice And call it accident.

LAERTES. My lord, I will be rul’d; The rather if you could devise it so
That I might be the organ.

KING. It falls right. You have been talk’d of since your travel much,
And that in Hamlet’s hearing, for a quality Wherein they say you shine.
Your sum of parts Did not together pluck such envy from him As did that
one, and that, in my regard, Of the unworthiest siege.

LAERTES. What part is that, my lord?

KING. A very riband in the cap of youth, Yet needful too, for youth no
less becomes The light and careless livery that it wears Than settled
age his sables and his weeds, Importing health and graveness. Two
months since Here was a gentleman of Normandy,— I’ve seen myself, and
serv’d against, the French, And they can well on horseback, but this
gallant Had witchcraft in’t. He grew unto his seat, And to such
wondrous doing brought his horse, As had he been incorps’d and
demi-natur’d With the brave beast. So far he topp’d my thought That I
in forgery of shapes and tricks, Come short of what he did.

LAERTES. A Norman was’t?

KING. A Norman.

LAERTES. Upon my life, Lamond.

KING. The very same.

LAERTES. I know him well. He is the brooch indeed And gem of all the
nation.

KING. He made confession of you, And gave you such a masterly report
For art and exercise in your defence, And for your rapier most
especially, That he cried out ’twould be a sight indeed If one could
match you. The scrimers of their nation He swore had neither motion,
guard, nor eye, If you oppos’d them. Sir, this report of his Did Hamlet
so envenom with his envy That he could nothing do but wish and beg Your
sudden coming o’er to play with him. Now, out of this,—

LAERTES. What out of this, my lord?

KING. Laertes, was your father dear to you? Or are you like the
painting of a sorrow, A face without a heart?

LAERTES. Why ask you this?

KING. Not that I think you did not love your father, But that I know
love is begun by time, And that I see, in passages of proof, Time
qualifies the spark and fire of it. There lives within the very flame
of love A kind of wick or snuff that will abate it; And nothing is at a
like goodness still, For goodness, growing to a pleurisy, Dies in his
own too much. That we would do, We should do when we would; for this
‘would’ changes, And hath abatements and delays as many As there are
tongues, are hands, are accidents; And then this ‘should’ is like a
spendthrift sigh That hurts by easing. But to the quick o’ th’ulcer:
Hamlet comes back: what would you undertake To show yourself your
father’s son in deed, More than in words?

LAERTES. To cut his throat i’ th’ church.

KING. No place, indeed, should murder sanctuarize; Revenge should have
no bounds. But good Laertes, Will you do this, keep close within your
chamber. Hamlet return’d shall know you are come home: We’ll put on
those shall praise your excellence, And set a double varnish on the
fame The Frenchman gave you, bring you in fine together And wager on
your heads. He, being remiss, Most generous, and free from all
contriving, Will not peruse the foils; so that with ease, Or with a
little shuffling, you may choose A sword unbated, and in a pass of
practice, Requite him for your father.

LAERTES. I will do’t. And for that purpose I’ll anoint my sword. I
bought an unction of a mountebank So mortal that, but dip a knife in
it, Where it draws blood no cataplasm so rare, Collected from all
simples that have virtue Under the moon, can save the thing from death
This is but scratch’d withal. I’ll touch my point With this contagion,
that if I gall him slightly, It may be death.

KING. Let’s further think of this, Weigh what convenience both of time
and means May fit us to our shape. If this should fail, And that our
drift look through our bad performance. ’Twere better not assay’d.
Therefore this project Should have a back or second, that might hold If
this did blast in proof. Soft, let me see. We’ll make a solemn wager on
your cunnings,— I ha’t! When in your motion you are hot and dry, As
make your bouts more violent to that end, And that he calls for drink,
I’ll have prepar’d him A chalice for the nonce; whereon but sipping, If
he by chance escape your venom’d stuck, Our purpose may hold there.

 Enter Queen.

How now, sweet Queen?

QUEEN. One woe doth tread upon another’s heel, So fast they follow.
Your sister’s drown’d, Laertes.

LAERTES. Drown’d! O, where?

QUEEN. There is a willow grows aslant a brook, That shows his hoary
leaves in the glassy stream. There with fantastic garlands did she make
Of crow-flowers, nettles, daisies, and long purples, That liberal
shepherds give a grosser name, But our cold maids do dead men’s fingers
call them. There on the pendant boughs her coronet weeds Clamb’ring to
hang, an envious sliver broke, When down her weedy trophies and herself
Fell in the weeping brook. Her clothes spread wide, And mermaid-like,
awhile they bore her up, Which time she chaunted snatches of old tunes,
As one incapable of her own distress, Or like a creature native and
indued Unto that element. But long it could not be Till that her
garments, heavy with their drink, Pull’d the poor wretch from her
melodious lay To muddy death.

LAERTES. Alas, then she is drown’d?

QUEEN. Drown’d, drown’d.

LAERTES. Too much of water hast thou, poor Ophelia, And therefore I
forbid my tears. But yet It is our trick; nature her custom holds, Let
shame say what it will. When these are gone, The woman will be out.
Adieu, my lord, I have a speech of fire, that fain would blaze, But
that this folly douts it.

 [_Exit._]

KING. Let’s follow, Gertrude; How much I had to do to calm his rage!
Now fear I this will give it start again; Therefore let’s follow.

 [_Exeunt._]



ACT V

SCENE I. A churchyard.

 Enter two Clowns with spades, &c.

FIRST CLOWN. Is she to be buried in Christian burial, when she wilfully
seeks her own salvation?

SECOND CLOWN. I tell thee she is, and therefore make her grave
straight. The crowner hath sat on her, and finds it Christian burial.

FIRST CLOWN. How can that be, unless she drowned herself in her own
defence?

SECOND CLOWN. Why, ’tis found so.

FIRST CLOWN. It must be _se offendendo_, it cannot be else. For here
lies the point: if I drown myself wittingly, it argues an act: and an
act hath three branches. It is to act, to do, and to perform: argal,
she drowned herself wittingly.

SECOND CLOWN. Nay, but hear you, goodman delver,—

FIRST CLOWN. Give me leave. Here lies the water; good. Here stands the
man; good. If the man go to this water and drown himself, it is, will
he nill he, he goes,—mark you that. But if the water come to him and
drown him, he drowns not himself. Argal, he that is not guilty of his
own death shortens not his own life.

SECOND CLOWN. But is this law?

FIRST CLOWN. Ay, marry, is’t, crowner’s quest law.

SECOND CLOWN. Will you ha’ the truth on’t? If this had not been a
gentlewoman, she should have been buried out o’ Christian burial.

FIRST CLOWN. Why, there thou say’st. And the more pity that great folk
should have countenance in this world to drown or hang themselves more
than their even Christian. Come, my spade. There is no ancient
gentlemen but gardeners, ditchers, and grave-makers: they hold up
Adam’s profession.

SECOND CLOWN. Was he a gentleman?

FIRST CLOWN. He was the first that ever bore arms.

SECOND CLOWN. Why, he had none.

FIRST CLOWN. What, art a heathen? How dost thou understand the
Scripture? The Scripture says Adam digg’d. Could he dig without arms?
I’ll put another question to thee. If thou answerest me not to the
purpose, confess thyself—

SECOND CLOWN. Go to.

FIRST CLOWN. What is he that builds stronger than either the mason, the
shipwright, or the carpenter?

SECOND CLOWN. The gallows-maker; for that frame outlives a thousand
tenants.

FIRST CLOWN. I like thy wit well in good faith, the gallows does well.
But how does it well? It does well to those that do ill. Now, thou dost
ill to say the gallows is built stronger than the church; argal, the
gallows may do well to thee. To’t again, come.

SECOND CLOWN. Who builds stronger than a mason, a shipwright, or a
carpenter?

FIRST CLOWN. Ay, tell me that, and unyoke.

SECOND CLOWN. Marry, now I can tell.

FIRST CLOWN. To’t.

SECOND CLOWN. Mass, I cannot tell.

 Enter Hamlet and Horatio, at a distance.

FIRST CLOWN. Cudgel thy brains no more about it, for your dull ass will
not mend his pace with beating; and when you are asked this question
next, say ‘a grave-maker’. The houses he makes last till doomsday. Go,
get thee to Yaughan; fetch me a stoup of liquor.

 [_Exit Second Clown._]

[_Digs and sings._]

   In youth when I did love, did love, Methought it was very sweet; To
   contract, O, the time for, a, my behove, O methought there was
   nothing meet.

HAMLET. Has this fellow no feeling of his business, that he sings at
grave-making?

HORATIO. Custom hath made it in him a property of easiness.

HAMLET. ’Tis e’en so; the hand of little employment hath the daintier
sense.

FIRST CLOWN. [_Sings._] But age with his stealing steps Hath claw’d me
in his clutch, And hath shipp’d me into the land, As if I had never
been such.

 [_Throws up a skull._]

HAMLET. That skull had a tongue in it, and could sing once. How the
knave jowls it to th’ ground, as if ’twere Cain’s jawbone, that did the
first murder! This might be the pate of a politician which this ass now
o’er-offices, one that would circumvent God, might it not?

HORATIO. It might, my lord.

HAMLET. Or of a courtier, which could say ‘Good morrow, sweet lord! How
dost thou, good lord?’ This might be my lord such-a-one, that praised
my lord such-a-one’s horse when he meant to beg it, might it not?

HORATIO. Ay, my lord.

HAMLET. Why, e’en so: and now my Lady Worm’s; chapless, and knocked
about the mazard with a sexton’s spade. Here’s fine revolution, an we
had the trick to see’t. Did these bones cost no more the breeding but
to play at loggets with ’em? Mine ache to think on’t.

FIRST CLOWN. [_Sings._] A pickaxe and a spade, a spade, For and a
shrouding-sheet; O, a pit of clay for to be made For such a guest is
meet.

 [_Throws up another skull._]

HAMLET. There’s another. Why may not that be the skull of a lawyer?
Where be his quiddits now, his quillets, his cases, his tenures, and
his tricks? Why does he suffer this rude knave now to knock him about
the sconce with a dirty shovel, and will not tell him of his action of
battery? Hum. This fellow might be in’s time a great buyer of land,
with his statutes, his recognizances, his fines, his double vouchers,
his recoveries. Is this the fine of his fines, and the recovery of his
recoveries, to have his fine pate full of fine dirt? Will his vouchers
vouch him no more of his purchases, and double ones too, than the
length and breadth of a pair of indentures? The very conveyances of his
lands will scarcely lie in this box; and must the inheritor himself
have no more, ha?

HORATIO. Not a jot more, my lord.

HAMLET. Is not parchment made of sheep-skins?

HORATIO. Ay, my lord, and of calf-skins too.

HAMLET. They are sheep and calves which seek out assurance in that. I
will speak to this fellow.—Whose grave’s this, sir?

FIRST CLOWN. Mine, sir. [_Sings._] O, a pit of clay for to be made For
such a guest is meet.

HAMLET. I think it be thine indeed, for thou liest in’t.

FIRST CLOWN. You lie out on’t, sir, and therefore ’tis not yours. For
my part, I do not lie in’t, yet it is mine.

HAMLET. Thou dost lie in’t, to be in’t and say it is thine. ’Tis for
the dead, not for the quick; therefore thou liest.

FIRST CLOWN. ’Tis a quick lie, sir; ’t will away again from me to you.

HAMLET. What man dost thou dig it for?

FIRST CLOWN. For no man, sir.

HAMLET. What woman then?

FIRST CLOWN. For none neither.

HAMLET. Who is to be buried in’t?

FIRST CLOWN. One that was a woman, sir; but, rest her soul, she’s dead.

HAMLET. How absolute the knave is! We must speak by the card, or
equivocation will undo us. By the Lord, Horatio, these three years I
have taken note of it, the age is grown so picked that the toe of the
peasant comes so near the heel of the courtier he galls his kibe.—How
long hast thou been a grave-maker?

FIRST CLOWN. Of all the days i’ th’ year, I came to’t that day that our
last King Hamlet o’ercame Fortinbras.

HAMLET. How long is that since?

FIRST CLOWN. Cannot you tell that? Every fool can tell that. It was the
very day that young Hamlet was born,—he that is mad, and sent into
England.

HAMLET. Ay, marry, why was he sent into England?

FIRST CLOWN. Why, because he was mad; he shall recover his wits there;
or if he do not, it’s no great matter there.

HAMLET. Why?

FIRST CLOWN. ’Twill not be seen in him there; there the men are as mad
as he.

HAMLET. How came he mad?

FIRST CLOWN. Very strangely, they say.

HAMLET. How strangely?

FIRST CLOWN. Faith, e’en with losing his wits.

HAMLET. Upon what ground?

FIRST CLOWN. Why, here in Denmark. I have been sexton here, man and
boy, thirty years.

HAMLET. How long will a man lie i’ th’earth ere he rot?

FIRST CLOWN. Faith, if he be not rotten before he die,—as we have many
pocky corses nowadays that will scarce hold the laying in,—he will last
you some eight year or nine year. A tanner will last you nine year.

HAMLET. Why he more than another?

FIRST CLOWN. Why, sir, his hide is so tann’d with his trade that he
will keep out water a great while. And your water is a sore decayer of
your whoreson dead body. Here’s a skull now; this skull hath lain in
the earth three-and-twenty years.

HAMLET. Whose was it?

FIRST CLOWN. A whoreson, mad fellow’s it was. Whose do you think it
was?

HAMLET. Nay, I know not.

FIRST CLOWN. A pestilence on him for a mad rogue! A pour’d a flagon of
Rhenish on my head once. This same skull, sir, was Yorick’s skull, the
King’s jester.

HAMLET. This?

FIRST CLOWN. E’en that.

HAMLET. Let me see. [_Takes the skull._] Alas, poor Yorick. I knew him,
Horatio, a fellow of infinite jest, of most excellent fancy. He hath
borne me on his back a thousand times; and now, how abhorred in my
imagination it is! My gorge rises at it. Here hung those lips that I
have kiss’d I know not how oft. Where be your gibes now? your gambols?
your songs? your flashes of merriment, that were wont to set the table
on a roar? Not one now, to mock your own grinning? Quite chop-fallen?
Now get you to my lady’s chamber, and tell her, let her paint an inch
thick, to this favour she must come. Make her laugh at that.—Prythee,
Horatio, tell me one thing.

HORATIO. What’s that, my lord?

HAMLET. Dost thou think Alexander looked o’ this fashion i’ th’earth?

HORATIO. E’en so.

HAMLET. And smelt so? Pah!

 [_Throws down the skull._]

HORATIO. E’en so, my lord.

HAMLET. To what base uses we may return, Horatio! Why may not
imagination trace the noble dust of Alexander till he find it stopping
a bung-hole?

HORATIO. ’Twere to consider too curiously to consider so.

HAMLET. No, faith, not a jot. But to follow him thither with modesty
enough, and likelihood to lead it; as thus. Alexander died, Alexander
was buried, Alexander returneth into dust; the dust is earth; of earth
we make loam; and why of that loam whereto he was converted might they
not stop a beer-barrel? Imperious Caesar, dead and turn’d to clay,
Might stop a hole to keep the wind away. O, that that earth which kept
the world in awe Should patch a wall t’expel the winter’s flaw. But
soft! but soft! aside! Here comes the King.

 Enter priests, &c, in procession; the corpse of Ophelia, Laertes and
 Mourners following; King, Queen, their Trains, &c.

The Queen, the courtiers. Who is that they follow? And with such maimed
rites? This doth betoken The corse they follow did with desperate hand
Fordo it own life. ’Twas of some estate. Couch we awhile and mark.

 [_Retiring with Horatio._]

LAERTES. What ceremony else?

HAMLET. That is Laertes, a very noble youth. Mark.

LAERTES. What ceremony else?

PRIEST. Her obsequies have been as far enlarg’d As we have warranties.
Her death was doubtful; And but that great command o’ersways the order,
She should in ground unsanctified have lodg’d Till the last trumpet.
For charitable prayers, Shards, flints, and pebbles should be thrown on
her. Yet here she is allowed her virgin rites, Her maiden strewments,
and the bringing home Of bell and burial.

LAERTES. Must there no more be done?

PRIEST. No more be done. We should profane the service of the dead To
sing sage requiem and such rest to her As to peace-parted souls.

LAERTES. Lay her i’ th’earth, And from her fair and unpolluted flesh
May violets spring. I tell thee, churlish priest, A minist’ring angel
shall my sister be When thou liest howling.

HAMLET. What, the fair Ophelia?

QUEEN. [_Scattering flowers._] Sweets to the sweet. Farewell. I hop’d
thou shouldst have been my Hamlet’s wife; I thought thy bride-bed to
have deck’d, sweet maid, And not have strew’d thy grave.

LAERTES. O, treble woe Fall ten times treble on that cursed head Whose
wicked deed thy most ingenious sense Depriv’d thee of. Hold off the
earth a while, Till I have caught her once more in mine arms. [_Leaps
into the grave._] Now pile your dust upon the quick and dead, Till of
this flat a mountain you have made, To o’ertop old Pelion or the skyish
head Of blue Olympus.

HAMLET. [_Advancing._] What is he whose grief Bears such an emphasis?
whose phrase of sorrow Conjures the wand’ring stars, and makes them
stand Like wonder-wounded hearers? This is I, Hamlet the Dane. [_Leaps
into the grave._]

LAERTES. [_Grappling with him._] The devil take thy soul!

HAMLET. Thou pray’st not well. I prythee take thy fingers from my
throat; For though I am not splenative and rash, Yet have I in me
something dangerous, Which let thy wiseness fear. Away thy hand!

KING. Pluck them asunder.

QUEEN. Hamlet! Hamlet!

All. Gentlemen!

HORATIO. Good my lord, be quiet.

 [_The Attendants part them, and they come out of the grave._]

HAMLET. Why, I will fight with him upon this theme Until my eyelids
will no longer wag.

QUEEN. O my son, what theme?

HAMLET. I lov’d Ophelia; forty thousand brothers Could not, with all
their quantity of love, Make up my sum. What wilt thou do for her?

KING. O, he is mad, Laertes.

QUEEN. For love of God forbear him!

HAMLET. ’Swounds, show me what thou’lt do: Woul’t weep? woul’t fight?
woul’t fast? woul’t tear thyself? Woul’t drink up eisel? eat a
crocodile? I’ll do’t. Dost thou come here to whine? To outface me with
leaping in her grave? Be buried quick with her, and so will I. And if
thou prate of mountains, let them throw Millions of acres on us, till
our ground, Singeing his pate against the burning zone, Make Ossa like
a wart. Nay, an thou’lt mouth, I’ll rant as well as thou.

QUEEN. This is mere madness: And thus awhile the fit will work on him;
Anon, as patient as the female dove, When that her golden couplets are
disclos’d, His silence will sit drooping.

HAMLET. Hear you, sir; What is the reason that you use me thus? I lov’d
you ever. But it is no matter. Let Hercules himself do what he may, The
cat will mew, and dog will have his day.

 [_Exit._]

KING. I pray thee, good Horatio, wait upon him.

 [_Exit Horatio._]

[_To Laertes_] Strengthen your patience in our last night’s speech;
We’ll put the matter to the present push.— Good Gertrude, set some
watch over your son. This grave shall have a living monument. An hour
of quiet shortly shall we see; Till then in patience our proceeding be.

 [_Exeunt._]

SCENE II. A hall in the Castle.

 Enter Hamlet and Horatio.

HAMLET. So much for this, sir. Now let me see the other; You do
remember all the circumstance?

HORATIO. Remember it, my lord!

HAMLET. Sir, in my heart there was a kind of fighting That would not
let me sleep. Methought I lay Worse than the mutinies in the bilboes.
Rashly, And prais’d be rashness for it,—let us know, Our indiscretion
sometime serves us well, When our deep plots do pall; and that should
teach us There’s a divinity that shapes our ends, Rough-hew them how we
will.

HORATIO. That is most certain.

HAMLET. Up from my cabin, My sea-gown scarf’d about me, in the dark
Grop’d I to find out them; had my desire, Finger’d their packet, and in
fine, withdrew To mine own room again, making so bold, My fears
forgetting manners, to unseal Their grand commission; where I found,
Horatio, Oh royal knavery! an exact command, Larded with many several
sorts of reasons, Importing Denmark’s health, and England’s too, With
ho! such bugs and goblins in my life, That on the supervise, no leisure
bated, No, not to stay the grinding of the axe, My head should be
struck off.

HORATIO. Is’t possible?

HAMLET. Here’s the commission, read it at more leisure. But wilt thou
hear me how I did proceed?

HORATIO. I beseech you.

HAMLET. Being thus benetted round with villanies,— Or I could make a
prologue to my brains, They had begun the play,—I sat me down, Devis’d
a new commission, wrote it fair: I once did hold it, as our statists
do, A baseness to write fair, and labour’d much How to forget that
learning; but, sir, now It did me yeoman’s service. Wilt thou know The
effect of what I wrote?

HORATIO. Ay, good my lord.

HAMLET. An earnest conjuration from the King, As England was his
faithful tributary, As love between them like the palm might flourish,
As peace should still her wheaten garland wear And stand a comma ’tween
their amities, And many such-like ‘as’es of great charge, That on the
view and know of these contents, Without debatement further, more or
less, He should the bearers put to sudden death, Not shriving-time
allow’d.

HORATIO. How was this seal’d?

HAMLET. Why, even in that was heaven ordinant. I had my father’s signet
in my purse, Which was the model of that Danish seal: Folded the writ
up in the form of the other, Subscrib’d it: gave’t th’impression;
plac’d it safely, The changeling never known. Now, the next day Was our
sea-fight, and what to this was sequent Thou know’st already.

HORATIO. So Guildenstern and Rosencrantz go to’t.

HAMLET. Why, man, they did make love to this employment. They are not
near my conscience; their defeat Does by their own insinuation grow.
’Tis dangerous when the baser nature comes Between the pass and fell
incensed points Of mighty opposites.

HORATIO. Why, what a king is this!

HAMLET. Does it not, thinks’t thee, stand me now upon,— He that hath
kill’d my king, and whor’d my mother, Popp’d in between th’election and
my hopes, Thrown out his angle for my proper life, And with such
cozenage—is’t not perfect conscience To quit him with this arm? And
is’t not to be damn’d To let this canker of our nature come In further
evil?

HORATIO. It must be shortly known to him from England What is the issue
of the business there.

HAMLET. It will be short. The interim is mine; And a man’s life’s no
more than to say ‘One’. But I am very sorry, good Horatio, That to
Laertes I forgot myself; For by the image of my cause I see The
portraiture of his. I’ll court his favours. But sure the bravery of his
grief did put me Into a tow’ring passion.

HORATIO. Peace, who comes here?

 Enter Osric.

OSRIC. Your lordship is right welcome back to Denmark.

HAMLET. I humbly thank you, sir. Dost know this waterfly?

HORATIO. No, my good lord.

HAMLET. Thy state is the more gracious; for ’tis a vice to know him. He
hath much land, and fertile; let a beast be lord of beasts, and his
crib shall stand at the king’s mess; ’tis a chough; but, as I say,
spacious in the possession of dirt.

OSRIC. Sweet lord, if your lordship were at leisure, I should impart a
thing to you from his Majesty.

HAMLET. I will receive it with all diligence of spirit. Put your bonnet
to his right use; ’tis for the head.

OSRIC. I thank your lordship, ’tis very hot.

HAMLET. No, believe me, ’tis very cold, the wind is northerly.

OSRIC. It is indifferent cold, my lord, indeed.

HAMLET. Methinks it is very sultry and hot for my complexion.

OSRIC. Exceedingly, my lord; it is very sultry,—as ’twere—I cannot tell
how. But, my lord, his Majesty bade me signify to you that he has laid
a great wager on your head. Sir, this is the matter,—

HAMLET. I beseech you, remember,—

 [_Hamlet moves him to put on his hat._]

OSRIC. Nay, in good faith; for mine ease, in good faith. Sir, here is
newly come to court Laertes; believe me, an absolute gentleman, full of
most excellent differences, of very soft society and great showing.
Indeed, to speak feelingly of him, he is the card or calendar of
gentry; for you shall find in him the continent of what part a
gentleman would see.

HAMLET. Sir, his definement suffers no perdition in you, though I know,
to divide him inventorially would dizzy th’arithmetic of memory, and
yet but yaw neither, in respect of his quick sail. But, in the verity
of extolment, I take him to be a soul of great article and his infusion
of such dearth and rareness as, to make true diction of him, his
semblable is his mirror and who else would trace him his umbrage,
nothing more.

OSRIC. Your lordship speaks most infallibly of him.

HAMLET. The concernancy, sir? Why do we wrap the gentleman in our more
rawer breath?

OSRIC. Sir?

HORATIO. Is’t not possible to understand in another tongue? You will
do’t, sir, really.

HAMLET. What imports the nomination of this gentleman?

OSRIC. Of Laertes?

HORATIO. His purse is empty already, all’s golden words are spent.

HAMLET. Of him, sir.

OSRIC. I know you are not ignorant,—

HAMLET. I would you did, sir; yet in faith if you did, it would not
much approve me. Well, sir?

OSRIC. You are not ignorant of what excellence Laertes is,—

HAMLET. I dare not confess that, lest I should compare with him in
excellence; but to know a man well were to know himself.

OSRIC. I mean, sir, for his weapon; but in the imputation laid on him,
by them in his meed he’s unfellowed.

HAMLET. What’s his weapon?

OSRIC. Rapier and dagger.

HAMLET. That’s two of his weapons. But well.

OSRIC. The King, sir, hath wager’d with him six Barbary horses, against
the which he has imponed, as I take it, six French rapiers and
poniards, with their assigns, as girdle, hangers, and so. Three of the
carriages, in faith, are very dear to fancy, very responsive to the
hilts, most delicate carriages, and of very liberal conceit.

HAMLET. What call you the carriages?

HORATIO. I knew you must be edified by the margin ere you had done.

OSRIC. The carriages, sir, are the hangers.

HAMLET. The phrase would be more german to the matter if we could carry
cannon by our sides. I would it might be hangers till then. But on. Six
Barbary horses against six French swords, their assigns, and three
liberal conceited carriages: that’s the French bet against the Danish.
Why is this all imponed, as you call it?

OSRIC. The King, sir, hath laid that in a dozen passes between you and
him, he shall not exceed you three hits. He hath laid on twelve for
nine. And it would come to immediate trial if your lordship would
vouchsafe the answer.

HAMLET. How if I answer no?

OSRIC. I mean, my lord, the opposition of your person in trial.

HAMLET. Sir, I will walk here in the hall. If it please his Majesty, it
is the breathing time of day with me. Let the foils be brought, the
gentleman willing, and the King hold his purpose, I will win for him if
I can; if not, I will gain nothing but my shame and the odd hits.

OSRIC. Shall I re-deliver you e’en so?

HAMLET. To this effect, sir; after what flourish your nature will.

OSRIC. I commend my duty to your lordship.

HAMLET. Yours, yours.

 [_Exit Osric._]

He does well to commend it himself, there are no tongues else for’s
turn.

HORATIO. This lapwing runs away with the shell on his head.

HAMLET. He did comply with his dug before he suck’d it. Thus has
he,—and many more of the same bevy that I know the drossy age dotes
on,— only got the tune of the time and outward habit of encounter; a
kind of yeasty collection, which carries them through and through the
most fanned and winnowed opinions; and do but blow them to their trial,
the bubbles are out,

 Enter a Lord.

LORD. My lord, his Majesty commended him to you by young Osric, who
brings back to him that you attend him in the hall. He sends to know if
your pleasure hold to play with Laertes or that you will take longer
time.

HAMLET. I am constant to my purposes, they follow the King’s pleasure.
If his fitness speaks, mine is ready. Now or whensoever, provided I be
so able as now.

LORD. The King and Queen and all are coming down.

HAMLET. In happy time.

LORD. The Queen desires you to use some gentle entertainment to Laertes
before you fall to play.

HAMLET. She well instructs me.

 [_Exit Lord._]

HORATIO. You will lose this wager, my lord.

HAMLET. I do not think so. Since he went into France, I have been in
continual practice. I shall win at the odds. But thou wouldst not think
how ill all’s here about my heart: but it is no matter.

HORATIO. Nay, good my lord.

HAMLET. It is but foolery; but it is such a kind of gain-giving as
would perhaps trouble a woman.

HORATIO. If your mind dislike anything, obey it. I will forestall their
repair hither, and say you are not fit.

HAMLET. Not a whit, we defy augury. There’s a special providence in the
fall of a sparrow. If it be now, ’tis not to come; if it be not to
come, it will be now; if it be not now, yet it will come. The readiness
is all. Since no man has aught of what he leaves, what is’t to leave
betimes?

 Enter King, Queen, Laertes, Lords, Osric and Attendants with foils &c.

KING. Come, Hamlet, come, and take this hand from me.

 [_The King puts Laertes’s hand into Hamlet’s._]

HAMLET. Give me your pardon, sir. I have done you wrong; But pardon’t
as you are a gentleman. This presence knows, and you must needs have
heard, How I am punish’d with sore distraction. What I have done That
might your nature, honour, and exception Roughly awake, I here proclaim
was madness. Was’t Hamlet wrong’d Laertes? Never Hamlet. If Hamlet from
himself be ta’en away, And when he’s not himself does wrong Laertes,
Then Hamlet does it not, Hamlet denies it. Who does it, then? His
madness. If’t be so, Hamlet is of the faction that is wrong’d; His
madness is poor Hamlet’s enemy. Sir, in this audience, Let my
disclaiming from a purpos’d evil Free me so far in your most generous
thoughts That I have shot my arrow o’er the house And hurt my brother.

LAERTES. I am satisfied in nature, Whose motive in this case should
stir me most To my revenge. But in my terms of honour I stand aloof,
and will no reconcilement Till by some elder masters of known honour I
have a voice and precedent of peace To keep my name ungor’d. But till
that time I do receive your offer’d love like love, And will not wrong
it.

HAMLET. I embrace it freely, And will this brother’s wager frankly
play.— Give us the foils; come on.

LAERTES. Come, one for me.

HAMLET. I’ll be your foil, Laertes; in mine ignorance Your skill shall
like a star i’ th’ darkest night, Stick fiery off indeed.

LAERTES. You mock me, sir.

HAMLET. No, by this hand.

KING. Give them the foils, young Osric. Cousin Hamlet, You know the
wager?

HAMLET. Very well, my lord. Your Grace has laid the odds o’ the weaker
side.

KING. I do not fear it. I have seen you both; But since he is better’d,
we have therefore odds.

LAERTES. This is too heavy. Let me see another.

HAMLET. This likes me well. These foils have all a length?

 [_They prepare to play._]

OSRIC. Ay, my good lord.

KING. Set me the stoups of wine upon that table. If Hamlet give the
first or second hit, Or quit in answer of the third exchange, Let all
the battlements their ordnance fire; The King shall drink to Hamlet’s
better breath, And in the cup an union shall he throw Richer than that
which four successive kings In Denmark’s crown have worn. Give me the
cups; And let the kettle to the trumpet speak, The trumpet to the
cannoneer without, The cannons to the heavens, the heavens to earth,
‘Now the King drinks to Hamlet.’ Come, begin. And you, the judges, bear
a wary eye.

HAMLET. Come on, sir.

LAERTES. Come, my lord.

 [_They play._]

HAMLET. One.

LAERTES. No.

HAMLET. Judgment.

OSRIC. A hit, a very palpable hit.

LAERTES. Well; again.

KING. Stay, give me drink. Hamlet, this pearl is thine; Here’s to thy
health.

 [_Trumpets sound, and cannon shot off within._]

Give him the cup.

HAMLET. I’ll play this bout first; set it by awhile.

 [_They play._]

Come. Another hit; what say you?


LAERTES. A touch, a touch, I do confess.

KING. Our son shall win.

QUEEN. He’s fat, and scant of breath. Here, Hamlet, take my napkin, rub
thy brows. The Queen carouses to thy fortune, Hamlet.

HAMLET. Good madam.

KING. Gertrude, do not drink.

QUEEN. I will, my lord; I pray you pardon me.

KING. [_Aside._] It is the poison’d cup; it is too late.

HAMLET. I dare not drink yet, madam. By and by.

QUEEN. Come, let me wipe thy face.

LAERTES. My lord, I’ll hit him now.

KING. I do not think’t.

LAERTES. [_Aside._] And yet ’tis almost ’gainst my conscience.

HAMLET. Come for the third, Laertes. You do but dally. I pray you pass
with your best violence. I am afeard you make a wanton of me.

LAERTES. Say you so? Come on.

 [_They play._]

OSRIC. Nothing neither way.

LAERTES. Have at you now.

 [_Laertes wounds Hamlet; then, in scuffling, they change rapiers, and
 Hamlet wounds Laertes._]

KING. Part them; they are incens’d.

HAMLET. Nay, come again!

 [_The Queen falls._]

OSRIC. Look to the Queen there, ho!

HORATIO. They bleed on both sides. How is it, my lord?

OSRIC. How is’t, Laertes?

LAERTES. Why, as a woodcock to my own springe, Osric. I am justly
kill’d with mine own treachery.

HAMLET. How does the Queen?

KING. She swoons to see them bleed.

QUEEN. No, no, the drink, the drink! O my dear Hamlet! The drink, the
drink! I am poison’d.

 [_Dies._]

HAMLET. O villany! Ho! Let the door be lock’d: Treachery! Seek it out.

 [_Laertes falls._]

LAERTES. It is here, Hamlet. Hamlet, thou art slain. No medicine in the
world can do thee good. In thee there is not half an hour of life; The
treacherous instrument is in thy hand, Unbated and envenom’d. The foul
practice Hath turn’d itself on me. Lo, here I lie, Never to rise again.
Thy mother’s poison’d. I can no more. The King, the King’s to blame.

HAMLET. The point envenom’d too! Then, venom, to thy work.

 [_Stabs the King._]

OSRIC and LORDS. Treason! treason!

KING. O yet defend me, friends. I am but hurt.

HAMLET. Here, thou incestuous, murderous, damned Dane, Drink off this
potion. Is thy union here? Follow my mother.

 [_King dies._]

LAERTES. He is justly serv’d. It is a poison temper’d by himself.
Exchange forgiveness with me, noble Hamlet. Mine and my father’s death
come not upon thee, Nor thine on me.

 [_Dies._]

HAMLET. Heaven make thee free of it! I follow thee. I am dead, Horatio.
Wretched Queen, adieu. You that look pale and tremble at this chance,
That are but mutes or audience to this act, Had I but time,—as this
fell sergeant, death, Is strict in his arrest,—O, I could tell you,—
But let it be. Horatio, I am dead, Thou liv’st; report me and my cause
aright To the unsatisfied.

HORATIO. Never believe it. I am more an antique Roman than a Dane.
Here’s yet some liquor left.

HAMLET. As th’art a man, Give me the cup. Let go; by Heaven, I’ll
have’t. O good Horatio, what a wounded name, Things standing thus
unknown, shall live behind me. If thou didst ever hold me in thy heart,
Absent thee from felicity awhile, And in this harsh world draw thy
breath in pain, To tell my story.

 [_March afar off, and shot within._]

What warlike noise is this?

OSRIC. Young Fortinbras, with conquest come from Poland, To the
ambassadors of England gives This warlike volley.

HAMLET. O, I die, Horatio. The potent poison quite o’er-crows my
spirit: I cannot live to hear the news from England, But I do prophesy
th’election lights On Fortinbras. He has my dying voice. So tell him,
with the occurrents more and less, Which have solicited. The rest is
silence.

 [_Dies._]

HORATIO. Now cracks a noble heart. Good night, sweet prince, And
flights of angels sing thee to thy rest. Why does the drum come hither?

 [_March within._]

 Enter Fortinbras, the English Ambassadors and others.

FORTINBRAS. Where is this sight?

HORATIO. What is it you would see? If aught of woe or wonder, cease
your search.

FORTINBRAS. This quarry cries on havoc. O proud death, What feast is
toward in thine eternal cell, That thou so many princes at a shot So
bloodily hast struck?

FIRST AMBASSADOR. The sight is dismal; And our affairs from England
come too late. The ears are senseless that should give us hearing, To
tell him his commandment is fulfill’d, That Rosencrantz and
Guildenstern are dead. Where should we have our thanks?

HORATIO. Not from his mouth, Had it th’ability of life to thank you. He
never gave commandment for their death. But since, so jump upon this
bloody question, You from the Polack wars, and you from England Are
here arriv’d, give order that these bodies High on a stage be placed to
the view, And let me speak to th’ yet unknowing world How these things
came about. So shall you hear Of carnal, bloody and unnatural acts, Of
accidental judgments, casual slaughters, Of deaths put on by cunning
and forc’d cause, And, in this upshot, purposes mistook Fall’n on the
inventors’ heads. All this can I Truly deliver.

FORTINBRAS. Let us haste to hear it, And call the noblest to the
audience. For me, with sorrow I embrace my fortune. I have some rights
of memory in this kingdom, Which now to claim my vantage doth invite
me.

HORATIO. Of that I shall have also cause to speak, And from his mouth
whose voice will draw on more. But let this same be presently
perform’d, Even while men’s minds are wild, lest more mischance On
plots and errors happen.

FORTINBRAS. Let four captains Bear Hamlet like a soldier to the stage,
For he was likely, had he been put on, To have prov’d most royally; and
for his passage, The soldiers’ music and the rites of war Speak loudly
for him. Take up the bodies. Such a sight as this Becomes the field,
but here shows much amiss. Go, bid the soldiers shoot.

 [_A dead march._]

 [_Exeunt, bearing off the bodies, after which a peal of ordnance is
 shot off._]




End of the Project Gutenberg EBook of Hamlet, by William Shakespeare

*** END OF THIS PROJECT GUTENBERG EBOOK HAMLET***

***** This file should be named 1524-0.txt or 1524-0.zip ***** This and
all associated files of various formats will be found in:
http://www.gutenberg.org/1/5/2/1524/

This etext was prepared by Dianne Bean.

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works, so
the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright royalties.
Special rules, set forth in the General Terms of Use part of this
license, apply to copying and distributing Project Gutenberg-tm
electronic works to protect the PROJECT GUTENBERG-tm concept and
trademark. Project Gutenberg is a registered trademark, and may not be
used if you charge for the eBooks, unless you receive specific
permission. If you do not charge anything for copies of this eBook,
complying with the rules is very easy. You may use this eBook for
nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU
DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be used
on or associated in any way with an electronic work by people who agree
to be bound by the terms of this agreement. There are a few things that
you can do with most Project Gutenberg-tm electronic works even without
complying with the full terms of this agreement. See paragraph 1.C
below. There are a lot of things you can do with Project Gutenberg-tm
electronic works if you follow the terms of this agreement and help
preserve free future access to Project Gutenberg-tm electronic works.
See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United States.
If an individual work is unprotected by copyright law in the United
States and you are located in the United States, we do not claim a
right to prevent you from copying, distributing, performing, displaying
or creating derivative works based on the work as long as all
references to Project Gutenberg are removed. Of course, we hope that
you will support the Project Gutenberg-tm mission of promoting free
access to electronic works by freely sharing Project Gutenberg-tm works
in compliance with the terms of this agreement for keeping the Project
Gutenberg-tm name associated with the work. You can easily comply with
the terms of this agreement by keeping this work in the same format
with its attached full Project Gutenberg-tm License when you share it
without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from texts not protected by U.S. copyright law (does not contain a
notice indicating that it is posted with permission of the copyright
holder), the work can be copied and distributed to anyone in the United
States without paying any fees or charges. If you are redistributing or
providing access to a work with the phrase "Project Gutenberg"
associated with or appearing on the work, you must comply either with
the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission
for the use of the work and the Project Gutenberg-tm trademark as set
forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense to
the user, provide a copy, a means of exporting a copy, or a means of
obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from the
use of Project Gutenberg-tm works calculated using the method you
already use to calculate your applicable taxes. The fee is owed to the
owner of the Project Gutenberg-tm trademark, but he has agreed to
donate royalties under this paragraph to the Project Gutenberg Literary
Archive Foundation. Royalty payments must be paid within 60 days
following each date on which you prepare (or are legally required to
prepare) your periodic tax returns. Royalty payments should be clearly
marked as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, "Information about
donations to the Project Gutenberg Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he does
not agree to the terms of the full Project Gutenberg-tm License. You
must require such a user to return or destroy all copies of the works
possessed in a physical medium and discontinue all use of and all
access to other copies of Project Gutenberg-tm works.

* You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.

* You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set forth
in this agreement, you must obtain permission in writing from both the
Project Gutenberg Literary Archive Foundation and The Project Gutenberg
Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact
the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or cannot
be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal fees.
YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY,
BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN
PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER,
AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES
EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED
TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates
the law of the state applicable to this agreement, the agreement shall
be interpreted to make the maximum disclaimer or limitation permitted
by the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you
do or cause to occur: (a) distribution of this or any Project
Gutenberg-tm work, (b) alteration, modification, or additions or
deletions to any Project Gutenberg-tm work, and (c) any Defect you
cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will remain
freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4 and
the Foundation information page at www.gutenberg.org



Section 3. Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the state
of Mississippi and granted tax exempt status by the Internal Revenue
Service. The Foundation's EIN or federal tax identification number is
64-6221541. Contributions to the Project Gutenberg Literary Archive
Foundation are tax deductible to the full extent permitted by U.S.
federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers
and employees are scattered throughout numerous locations. Its business
office is located at 809 North 1500 West, Salt Lake City, UT 84116,
(801) 596-1887. Email contact links and up to date contact information
can be found at the Foundation's web site and official page at
www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations where
we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any
statements concerning tax treatment of donations received from outside
the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other ways
including checks, online payments and credit card donations. To donate,
please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and distributed
Project Gutenberg-tm eBooks with only a loose network of volunteer
support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.