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Preservation of digital art #10
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Open sourcing MoMA's digital vault |
Digital access and preservation. Canadian professional services and software development company |
MoMA DAM Solution, by netx |
Best practices for conservation of media art from an artist’s perspective, by RAFAEL LOZANO-HEMMER digital artist based in Montreal |
Rhizome’s digital preservation program supports ongoing access to born-digital culture |
rhizome has some open source tech for preservation |
Developing Metadata for Software-based Art, by the Guggenheim Museum |
The project, "Fostering a Community of Practice (FCoP)", part of the software preservation network |
Jonathan Farbowitz (Guggenheim) continues the on-going discussion of software preservation with Henry in talking about the goals of museums, the hard (and maybe impossible) task of keeping something intact, the norms and steps of conservation, comparing physical and digital artwork, the importance of authors in conserving a piece, emulation vs. language porting (rewrites), a discussion about an art's 'dependencies', possibly adding automated testing, and deprecations/breakages in environments/standards |
one of the largest collections in the world of still functioning media |
Net Art Anthology aims to address the shortage of historical perspectives on a field in which even the most prominent artworks are often inaccessible |
art and obsolescence podcast |
“Towards Preserving Digital Culture” |
Towards Preserving Digital Culture: An interview with Patricia Falcao |
Miller Puckette on being able to access your own music in five years (modularity, open source): |
Réseau des médias variables (en français) thx for the pointer @emmadickson! |
Small Data is an art conservation lab and consultancy specializing in digital and analog time-based media art, and archives. |
Tech and articles about the preservation of digital and algorithmic art
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